Umi no santôhei

Romantic comedy set against the backdrop of the fashion and television world of Rome.

Arlette is a malicious schoolgirl who uses her feminine charms to attract, and then destroy, every man gullible enough to respond to her flirtations. She sets her cap for the art professor and very nearly does him in... but his loving wife and daughter help the deluded man escape the seductive mantrap.

Keith Bennets mother passed away a year ago, and he feels like he has moved on with his life, until one morning his mothers jewelry shows up on Keiths bathroom sink. The same jewelry she was buried in. Keith tells his wife Karen, about the jewelry and that is the last straw. She claims he is distant and has shut her out. Now he thinks he is seeing things that aren't there and if things don't improve, she will take their only son and leave. Forced with the ultimatum, Keith launches himself on a day of reclamation. Keith winds up on the phone with a popular radio Psychiatrist who guides Keith through what he cannot see on his own. Keith discovers a new man and a new attitude. Several people are listening to Keith's plight on the radio and are making changes of their own. Is this dead visitor all in Keith's head or is she truly a Mother Ghost?

Don and Rebecca Reece are facing the toughest decision of their lives whether or not to end their marriage of nearly 20 years. The Reeces agree to a trial separation. The kids get the house; Mom and Dad will shuttle back and forth.

Conrad is a gay man living in NYC. He's also CEO of an ad agency and by nature a control freak. Although Conrad is still in love with Martin (his ex), he hires a young Aussie hustler named Tyler, first for a night and then to work for his company. Things get increasingly complicated as Conrad tries to rekindle things with Martin. Meanwhile Tyler (who's daytime name is Ian) falls for Michael his new supervisor.

After an unhinged stage crash at a 1967 awards show, faded movie star Mabel Montgomery-Mayflower flees and barricades herself in her mansion to tape-record her life story. In a solo tour de force, Melora Hardin (NBC's The Office) powerfully and painfully embodies the end product of Hollywood's use-them-up and spit-them-out machinery. Drunk and alone, Golden Vanity is Ms. Montgomery-Mayflower's last chance to preserve her horrifying, hilarious and unreliable truth - one last shot to relive the glory days, before it's too late.