Episode list

Pet Crazy

L.A. Is for (Animal) Lovers
Wed, Nov 30, 2011
  • S1.E1
  • L.A. Is for (Animal) Lovers
Peter Sullivan (Sean Michael Arthur) juggles his busy day job as an animal hitman with his even busier playboy lifestyle, and manages to observe a potential target while getting acquainted with beautiful Gloria (Tenille Houston). Meanwhile his partner Emma (Frieda Bobay) works hard to screen Robert (Chris Gallego Wong ), a widower and father of two who has just been conned out of his savings and stands to lose everything.
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Finding Carlos
Wed, Nov 30, 2011
  • S1.E2
  • Finding Carlos
Emma (Frieda Bobay) offers to help Robert (Chris Gallego Wong) find a way to save his family from losing what little they have left. Peter (Sean Michael Arthur) finds a pleasant surprise on the far side of the tennis courts, but is only momentarily distracted from sending a message to Robert's crooked business partner Carl (Aubrey Wakeling), sending him a message he won't soon forget.
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The Cat's Out of the Bag
Wed, Nov 30, 2011
  • S1.E3
  • The Cat's Out of the Bag
Helen and Frank ('Carole Balkan (I)' and Stephen Howard) are a loving couple being torn apart by Helen's obsession with their terminally ill cat. Desperate to bring his wife comfort, Frank calls the Pet Crazy hotline. Meanwhile Peter (Sean Michael Arthur) takes a departure from his seemingly idyllic bachelor's life, and finds himself having genuine feelings for Gloria (Tenille Houston).
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The Cat's Out of the Bag
Helen and Frank ('Carole Balkan (I)' and Stephen Howard) are a loving couple being torn apart by Helen's obsession with their terminally ill cat. Desperate to bring his wife comfort, Frank calls the Pet Crazy hotline. Meanwhile Peter (Sean Michael Arthur) takes a departure from his seemingly idyllic bachelor's life, and finds himself having genuine feelings for Gloria (Tenille Houston).
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When the System Fails You
Peter Sullivan (Sean Michael Arthur) is one of LA's most eligible bachelors by day, but when the sun sets he maintains the delicate balance between man and beast. Peter reveals his source for his "special tools of the trade," Barracuda, played by the ultimate bad guy Scott L. Schwartz (Ocean's Eleven (2001)). Ready to face a vicious pit bull that's recently killed a young boy-but fallen through the cracks of the legal system, Peter tries to remain professional and not let emotions come into play while delivering much deserved justice. Bill Oberst Jr. (Abraham Lincoln vs. Zombies (2012), Take This Lollipop (2011)) guest stars as Butch, the pit bull's negligent owner.
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Hammer & Tickle

Hammer & Tickle

George Orwell wrote that in a repressive political system every joke is a "tiny revolution." Jokes were an essential part of the communist experience because the monopoly of state power meant that any act of non-conformity, down to a simple turn of phrase, could be construed as a form of dissent. By the same token, a joke about any facet of life became a joke about communism. Hammer and Tickle recounts a humorous history of the Soviet Union and its satellite states through the jokes that flourished under the oppressive regimes in Russia and parts of Central and Eastern Europe. Jokes, the film contends, were a language of truth under Communism; a language that allowed people to navigate the disconnect between propaganda and reality and provided a means of resisting the system despite the absence of free speech. Using animated sequences, manipulated archival footage, and sketches to resurrect the jokes, the film offers an ironic take on the history of Communism while simultaneously investigating the social and political impact of jokes under Soviet rule. Interviews with Solidarity leader and former Polish president Lech Walesa, hard-line Polish leader General Jaroszelski, German actor Peter Sodann, German satirist and author Ernst Roehl, East German newspaper editor and Politburo member Guenter Schabowski, and academics Christie Davies and Roy Medvedev address the role that jokes played in challenging and weakening the Communist system from the inside even as joke-tellers faced censure or time in the Gulag for voicing their humor. Light and irreverent in its tone, Hammer and Tickle is really about the ultimate seriousness of joking and the use of the power of laughter to overcome hardship. This history of humor under the Soviet regime offers a direct, incontrovertible way to understand what it was like living in a Communist society, and is also proof that the human spirit can never be broken.

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