Joy Ride

Clara decides to live at a shopping center during a midlife crisis. Amid the strange life move, she begins making unexpected bonds in the mall she now calls home.

Juvenile detention or retirement home: That's the choice 17-year-old Malu is faced with after she's been caught stealing again. In order to save the girl from imprisonment, her aunt Johanna agrees to take Malu in with her until she has completed her social service in a retirement home. The rebellious half-orphan, whose single father Paul has hardly any time for her as a pilot, initially finds being placed with her aunt just as restrictive as a stay in prison: far away from the hustle and bustle of the big city, Johanna has lived in her parents' house since childhood, an idyllic one Pension located on a lake. For the funky teenager, this environment is of course a deadly boring wasteland, especially since Johanna hasn't rented rooms to tourists for a long time. Her only permanent guest is the quirky German professor Franz Gmeiner, who is in early retirement. The residents of the next village consider Johanna to be dismissive and harsh, and since separating from her husband she has led a secluded life as an artist. So it's no wonder that she and her bold niece kept getting into arguments at first. But Johanna quickly realizes that behind Malu's rebellious facade is in fact a vulnerable girl who is still struggling with the loss of her mother and the constant absence of her father. On the other hand, Malu senses that rugged Johanna might be more like her in some ways than she thought. A kind of friendship gradually develops between the aging hermit and the young rebel, in which Malu learns to take on duties and responsibilities, while Johanna finds her way back to life through her lively niece. Eventually, Malu can even persuade her aunt to clean up the pension and rent out rooms again. Everything is going well until one day Malu's "cool" friend Bill shows up. After a quarrel with Johanna, she elopes with him to the city - and by violating the court conditions she risks being put in youth detention after all.

"Agreeing with the imperfect makes life easier," says Anna. And some things are imperfect when she suddenly finds herself without a job in her early 60s. After all, the spirited hobby gardener now has more time for her granddaughter Nele and her volunteer work in telephone counseling.In order to make ends meet financially, Anna advertises the former nursery of her single daughter Karin for sublet. Mr. Kurtz, formerly head of the Cologne South Public Order Office and his own family, are tired of the ad. The odd retiree turns out to be a technocrat from the head to the sentence structure. When Anna believes that an anonymous caller is in mortal danger at the telephone counseling service, this time she decides to override all rules: Somehow she has to find the desperate student. Mr. Kurtz could help her with his relations with the office if that weren't contrary to his nature. With her special charm, however, Anna succeeds in luring the hyper-correct ex-official out of the reserve .

The film is composed of eight short stories.

Four aspiring YouTubers vlog about delivery driving as their relationships fall apart.

A young lad (played by the puppet Dobo) must spend the summer with his alcoholic father. But with no television or video games to pass the time, will mind-altering chemicals and head-trauma hallucinations be enough to survive the lethal boredom? And will his father's flirtation with suicide pay off, or will it simply become yet another ambition that he fails to follow through on?