Yudô

After being falsely accused of a murder, a group of kids have to find the real killer in order to clear their name.

At the age of 80, Polidoro decides to demolish the stability of his comfortable life as a retired judge and become the owner of a strip club.

Soledad, a girl tired of being a taxi driver in Buenos Aires, travels with her car to Patagonia. She stops in a village whose inhabitants live in isolation and their only contact with the outside world is a cinema where old films are projected.

It tells the life of Mitat Karaman, who has an extremely ordinary life who goes from home to work, from work to home, when she wakes up one night when the bell rings and opens the door of the apartment by pressing the doorphone button.

In a stroke of luck on a hot sunny day, 4 characters from different walks of life cross paths because of a dustbin and as the luck has it, they find themselves soaking in the world of humor, drama and fun-venture into making an indie film.

Madhavankutty (Sreenivasan) is a school teacher in a small interior village where nothing much happens. The village is identity-less as the title suggests. So, when a theft happens in a moneylender's shop, everyone around is baffled. It gives sleepless nights to the panchayat president (Nedumudi Venu) and the police officer in charge of the area (Innocent). As they have no inkling about who the culprit may be, they device a plan to catch someone with a previous record. Madhavankutty is the sole eye witness as the shop is visible from the place where he lives. A major part of the story is devoted to showing how Madhavankutty dodges the pressure tactics of the police and counters their arguments. Parallel to this, we have the typical life and politics of a village: people discussing issues in the teashop, the ruling coalition bringing in modernisation by buying a coconut tree climbing machine that even women can use, the opposition taking out marches and walking out of panchayat meetings.