The Girl from Bohemia

A 14-year-old boy lies about his age and enlists in the United State Marine Corps without his family's consent or knowledge. He is sent into battle in the Pacific war-zone, decorated, and spotted in a newsreel by his family. The family asks the War Department to discharge him and send him home. A complicated period of adjustment follows for both the boy, who is no longer a boy even at age 15, and his family. (S/N/A/F/U, as the title is displayed, was a World War II military slang term standing for...Situation normal, all f(rigg)ed up. When the title was used on a 1984 film, the meaning, and all the correct words were used. )

Henny, talent scout for the Margaret Ames Film Agency in Hollywood, mistakes understudies Judy and Marian for Eileen and Betty, the real stars of a Broadway show and signs them up for movies. Margaret, furious with Henny for the blunder, fires him--temporarily. Another agent, Marty Allen, once married to and still in love with Margaret, signs Betty and Eileen. Henny arrives with Judy and Marian, and the nightclub manager asks Henny to emcee the show. Though he is not sure himself what they can do, Henny introduces the girls and they make a hit in a dramatic sketch. (Simmer down, it's just a Monogram movie, and their nightclub attendees can react anyway director Phil Karlstein/Karlson wants them to.) Big-time movie producer R. J. signs them to a film contract. What does this have to do with the title, "A WAVE, a WAC and a Marine"? Judy joins the WAVES, Marian the WACS and Marty the Marines and all have two weeks before induction, and that is more than long enough to shoot a Monogram musical-within-a-Monogram musical and have a few days to spare.

In the middle of the WW2, one soldier decides he is even with the army.

In Summer 1943 Red Army Sergeant Tsybulya , is sent behind enemy lines with the mission to deliver anti-transport mines to partisans and help them to destroy the guarded railway bridge.

Blondie mobilizes housewives for wartime duties. Husbands resist domestic roles. Dagwood fakes enlisting. Blondie dissolves housewives' group, returns home. Focus on gender role reversal amid war efforts.

Out of work vaudevillians join the army in WWI and head for France where they encounter an American girl (Withers) whose father (Schildkraut) is a French officer. Lots of slapstick.