Neng ren feng tian gui

A cat-and-mouse pursuit in the New York City night involves a preacher, a psychic and a dominatrix, broadcast live - until a horror is unearthed, bringing two of them together and the third to a sticky end.

Paris Accelerations I-II play with form (the pose) and motion (the transition into the next pose).The two studies map the accumulation of dance-like rhythm in the process of perceiving stillness vs. movement. The camera's static presence, the editor's multiple framings, and model's deadpan antics create two little screendance vaudevilles, or figure studies, that are really about momentum.

Sliding from joy to nightmare and back, a plane-flight frames a journey into Jaymi's and Angel's polarised identities, triggering an obsessive fantasy of love, death and apocalyptic beauty.

In the second act, the protagonists enter a series of dream worlds and alternate dimensions. When the girls reawaken, they find themselves in the presence of a Blue God and tasked with a new everyday.