For Husbands Only

Norman and Ethel spend the summer, as usual, in their log house by the lake. While Norman tries to hide the first signs of senility, Ethel tries to hide that he is not quite succeeding. Ethel puts up with Norman's whims, but finds it difficult to see through his irreconcilable relationship with daughter Chelsea, who is now coming to visit for the first time in eight years. Chelsea brings her new boyfriend Bill and his teenage son Billy, whom they leave with Norman and Ethel over the summer. Recorded from a stage performance at Royal Danish Theater.

Glo doesn't want to be like her mother: Get married, forget her dream, and live boringly ever after. She wants to reach her dream: make a movie. Her mother, having one more year to live, tries to make her daughter live like her: Get married, live for others, and live happily ever after. So the battle begins.

Federico and Riccardo have been friends ever since childhood. The two friends become aware of the possibility of getting a grant. But soon they discover that the competition is open to unmarried couples.

After his release from the foster care system, a young man leaves his small Oklahoma town for the first time to travel across the country with a strange woman he meets by chance.

Hanne and Barbara have been best friends since they were young. Their lives have developed very differently: While the wealthy mail order owner Hanne lives in a large villa in Erfurt, Barbara lives quite modestly on her small widow's pension. The two spontaneously decide to revive their youth in Bad Elster, a tranquil health resort: at the tender age of 17, the friends had their first adventures with the opposite sex there, and now they want to know again. The spa management is not at all enthusiastic about the lust for life of the two ladies, especially the strict head nurse Inge. On the other hand, the love-hungry friends find much more understanding with the successful entrepreneur Edzard and the charming globetrotter Georg. In order to land optimally with the gentlemen, Hanne and Barbara simply swap roles: The shy widow mimes the rich lady life so as not to give the wealthy Edzard the impression that she is only interested in him because of his money. The fun-loving Hanne, on the other hand, slips into the role of the poor widow, because the bon vivant Georg has had bad experiences with rich women. But when Hannes' pampered son Simon, whose financial demands are not met by her as desired, out of disappointment informs the gentlemen in love about the true identities of Hanne and Barbara, this seems to be the end of the romantic adventure for Hanne and Barbara.