Faccia di lepre

In a Louisiana town in 1964, local African-Americans band together to protect themselves from violence - from the KKK as well as local police. Based on actual events.

The fictional story of an ex-football star, Johnny Dunn, who moves far from the spotlight after a family tragedy to a small, desert town he owns called Jake's Corner. This dramatic comedy is a cross between Kramer vs. Kramer (1979) and Northern Exposure (1990). Set in the real town of Jake's Corner, Arizona, it is a rest stop for travelers making their way through the Arizona desert, but for the people who live there, it's a rest stop for life. Johnny and the eclectic ensemble that live and work in the town occupy trailers behind the Corner Store and Jake's Corner Bar. Through the years, this cast of misfits has become closer than most families - they are kin. The dynamic of the town is changed forever when Johnny's young nephew comes to live with him.

An alcoholic man refocuses himself on putting kids through college via 4H and FFA scholarship donations. Guiding him is a spiritual figure he calls "The Bearded Man".

Indian Actress Doel Mitra shoots to overnight infamy, igniting the wrath of conservative Indian society when a bold sex-scene from one of her foreign films is leaked on the Internet, When the public scandal happens. Doel is in the middle of shooting an Indian film in which she plays the part of the mythological Hindu character Sita.

A true story about a concerned housewife, Pat Melancon, who tries to block Shintech, a massive Japanese petrochemical conglomerate, from building a plant in her toxic township already known as "cancer alley." Pat and a few newly recruited, fledgling activists face the full force of Shintech's wealth and influence peddling, which has bought the cooperation of the government from the local level all the way up to the Governor's office.

When the daughter of a wealthy scriptwriter and socialite is murdered, he feels let down by the courts, so he decides to use his powerful position to enable his own form of justice.