Episode list

19-2

Partners

Mon, Jan 27, 2014
Returning to active duty following the shooting of his partner, Nick Barron is given a new partner. Ben Chartier is a new member of the team, having transferred from a rural police unit. Barron is resentful of his new partner and tension quickly builds between them, climaxed when a suspect is shot during a robbery and one of the policemen is investigated for an unnecessary shooting.
7.7 /10
Deer

Tue, Feb 04, 2014
Nick and Ben continue as partners and encounter an incident that they don't report. Ben is cleared of any wrong-doing in the shooting of a robbery suspect.
7.6 /10
Welfare Day

Tue, Feb 11, 2014
The first day of the month falls on a Friday, making this day when welfare checks arrive even more chaotic than normal. Being short-staffed most of the team pull double shifts.
8.2 /10
The Party

Tue, Feb 18, 2014
Nick is upset that the injured Harvey will be attending a party with former squad members. The team deals with a gang rape and the escalating drinking problem of one of their own.
7.9 /10
Home

Tue, Feb 25, 2014
Ben takes a sick day to go home to work things out with his father who he had arrested for a hit and run while drunk; Nick is partnered with his nemesis, who spreads a rumor that Nick is warning a drug gang when police raids are scheduled.
7.9 /10
Turf

Tue, Mar 04, 2014
Baron and Chartier find themselves in the crossfires of a gang war. Ben is introduced to Nick's sister.
7.8 /10
Lovers

Tue, Mar 11, 2014
Nick and Ben collide over a politically explosive case.
7.6 /10
Medals

Tue, Mar 18, 2014
Word spreads of a potential mole in the department after a drug bust goes wrong. Tyler's addiction starts to surface to others. Nick and Ben are recognized for their heroism. Audrey and Nick's relationship runs into turbulence.
7.5 /10
Islands

Tue, Mar 25, 2014
Justice is served expeditiously when one of the group's own is ambushed while on patrol.
8.5 /10
Winter

Tue, Apr 01, 2014
Ben is given a proposition by S.Q. to investigate the rest of the team for a leak. Nick and the rest of the team suffer a grave loss.
8 /10

Edit Focus

Fortynine

Fortynine

Between 1996 and 2006 Michal Kosakowski produced 49 short movies on the subject of killing. 49 killings, dreamed up by inhabitants of the metropolis of morbidity - Vienna. In 1996, Kosakowski began to inquire into fantasies of killing - at first among his relatives and friends, then widening the circle to include artists, musicians and, eventually, actors. Within a decade, Kosakowski made 49 short movies, an essential element of which is the fact that these killing fantasies were put into practice with the complicity of the respondents themselves and depicted in the 49 videos. The collaborations between Kosakowski and his fictitious killers and victims in scripting, acting and staging the films could not have been closer or more intense. Michal Kosakowski himself was in charge of directing, camera, editing and special effects for all 49 films. The fantasies of violence, all of which seem to feed on the explicit violence omnipresent in film and television, are stunning. Not a single one of the 160 performers has a criminal record or was ever involved in any real acts of violence. And yet poisoning, torture, suicide, execution, ritual murder, violence by and against women, men, and children, murders motivated by sexual, political, and mental aberration come face to face with the recipients' emotions, naked and uncensored. The video-installation FORTYNINE is a 5x4x3 meter mirror-walled cube. Visitors who enter the cube are confronted by a 49-part HD split-screen that mirrors their reflections to infinity. The fact of interpersonal acts of violence, here anchored in present-day aesthetics, is also reflected in the emotions visible on the faces of the visitors, which are equally mirrored to infinity. 49 examples of fictitious killing collide head-on with the real emotions of the installation's visitors. The collective experience of any emotion generates intimacy - and it is precisely this intimacy that acts as a further constitutive component of FORTYNINE: the confrontation of the individual with itself, in the face of the most atrocious examples of violence. What Michal Kosakowski grants us is the rare occasion to experience a genuine taboo of our times and our Western society - death. A death that, for the time being, seems to present itself exclusively in the contemporary guise of the incessant violence staged by the media.

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