S1.E9 ∙ Episode #1.9

In Raquel Sigüenza, a small town of strong social structures, lives Cecilia, a young man that has been forced by his mother to act and live like a woman since he was born. In Cecilia's house everyone accepts this, from the father who is completely overshadow by his wife to the mentally ill little brother who believes himself to be the father of the household. When Estefania (nicknamed "Cinderella") comes to town, everything spins out of place. She is not willing to marry the prince or allow anyone's will to be forced upon her. Her attitude will inspire Cecilia in the search for a true identity and the desire of freedom.

Ester's cell phone keeps ringing. Damià tries to contact her anyway, demanding an explanation after she runs away from home unilaterally breaking off the relationship. His voice notes prolong Ester's nightmare, who, still confused and scared, will begin to feel the presence of an ancestral heartbeat; of a dream universe that connects her with an ancient force and through which she will begin to perceive some of the answers she needs. Starting from the framework of this sentimental rupture, "Na Ribas" weaves links between history and the present. Between the crimes of past and present societies. Using a narrative halfway between the dark and the fantastic where there is room for contemporary dance and a rustic and disturbing soundtrack, it puts on the table the prejudices with which for centuries women have been punished who they did not stick to the imposed roles. Is it true that we still invent witches?

Using Genesis Chapter III of the Old Testament, Chapter III portrays the fall of Eden, through post-modern and surreal elements commenting on man's intrinsically selfish nature and the modern media's commidification of human relationships.