2016

S3.E1 ∙ Como nossos pais

Wed, Dec 31, 1969

Director Laís Bodanzky and actress Maria Ribeiro talk about "Como Nossos Pais". Bodanzky comments on choosing the main actress and being inspired by Belchior's work.

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S3.E2 ∙ O nome da morte

Wed, Dec 31, 1969

Actress Fabiula Nascimento and producer Rodrigo Letier talk about "O Nome da Morte". The guests comment on portraying the story of real-life hit man Júlio Santana on the screen.

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S3.E3 ∙ Tatuagem

Wed, Dec 31, 1969

Director Hilton Lacerda and actor Rodrigo Garcia talk about "Tatuagem". The guests comment on how the themes of the story, set in 1978, remain relevant, and on the importance of marginal art.

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Director Gabriela Amaral Almeida and actress Luciana Paes talk about "Animal Cordial". The guests comment on the allegoric potential of horror as a genre, and on how the film relates to current themes and the power of womanhood.

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S3.E5 ∙ Aos teus olhos

Wed, Dec 31, 1969

Director Carolina Jabor and actor Daniel de Oliveira talk about "Aos Teus Olhos", debating about online hate and the film's provoking approach to the theme.

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S3.E6 ∙ Pela janela

Wed, Dec 31, 1969

Director Caroline Leone and actress Magali Biff talk about "Pela Janela". The guests comment on the spontaneity of the shooting and on how the film is inspired by women who overcome the limitations set by life.

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S3.E7 ∙ Corpo elétrico

Wed, Dec 31, 1969

Director Marcelo Caetano and actor Kelner Macêdo talk about "Corpo Elétrico". The guests discuss Walt Whitman's poetry as an inspiration, glimpsing the potency that lies in socially oppressed bodies.

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S3.E8 ∙ O paciente

Wed, Dec 31, 1969

Actor Othon Bastos and director Sérgio Rezende talk about "O Paciente", discussing the creative method used to show Tancredo Neves on the screen as a human story.

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S3.E9 ∙ A moça do calendário

Wed, Dec 31, 1969

"Facing risk is being free". Director Helena Ignez and producer Sinai Sganzerla talk about "A Moça do Calendário", proclaiming women on film as protagonists of their own stories.

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S3.E10 ∙ Fala comigo

Wed, Dec 31, 1969

"A healthy relationship can bring up the best in ourselves". Actress Karine Teles and director Felipe Sholl talk about "Fala Comigo", discussing relationships and insecurities.

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S3.E11 ∙ Quase memória

Wed, Dec 31, 1969

"What would your future self tell your past self?". Director Rui Guerra and actor Charles Fricks talk about "Quase Memória", running through the beautiful and nebulous labyrinth of memories in this almost-novel.

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S3.E12 ∙ Eu receberia as piores notícias dos seus lindos lábios

Wed, Dec 31, 1969

Actress Camila Pitanga and author Marçal Aquino talk about the adaptation process in "Eu Receberia as Piores Notícias dos Seus Lindos Lábios", the film she starred in based on the book he wrote.

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S3.E13 ∙ Pastor Cláudio

Wed, Dec 31, 1969

Director Beth Formaggini and psychologist Eduardo Passos talk about "Pastor Cláudio". The guests discuss how they interviewed Cláudio Guerra, responsible for torturing and making bodies disappear during Brazilian's military dictatorship.

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S3.E14 ∙ Cinema Novo

Wed, Dec 31, 1969

Director Eryk Rocha and producer Diogo Dahl talk about "Cinema Novo". The guests reflect on Brazil's cinematographic movement and rethink Cinema's social role through democratization.

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S3.E15 ∙ Gabriel e a montanha

Wed, Dec 31, 1969

Director Fellipe Barbosa and actor João Pedro Zappa talk about "Gabriel e a Montanha". The guests recall the challenges in filming on the mountains and tell the moving story of late Gabriel Buchmann's last goodbye.

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S3.E16 ∙ Albatroz

Wed, Dec 31, 1969

Actress Camila Morgado and screenwriter Bráulio Mantovani talk about "Albatroz". The guests discuss how "Lost Highway" inspired this film about loss of creative control.

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S3.E17 ∙ Café com canela

Wed, Dec 31, 1969

Directors Glenda Nicácio and Ary Rosa talk about "Café com Canela". The guests manifest their desire to show the daily life on Recôncavo Baiano and comment on how their creative process goes way beyond fiction.

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S3.E18 ∙ Proibido proibir

Wed, Dec 31, 1969

"We can't forget our dead". Actress Maria Flor and director Jorge Durán talk about "Proibido Proibir", commenting on how the 2007 film remains more relevant than ever.

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S3.E19 ∙ Vinicius

Wed, Dec 31, 1969

Actor Ricardo Blat and director Miguel Faria Júnior talk about "Vinicius". The guests discuss the poet's importance for Cinema as an art, their deep dive into his life story and the lessons they learned in the process.

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S3.E20 ∙ Motorrad

Wed, Dec 31, 1969

Director Vicente Amorim and actress Carla Salle talk about "Motorrad". The guests discuss how challenging it is to make a slasher movie in Brazil and reveal a mishap with Salle that almost changed the course of the shooting.

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S3.E21 ∙ As duas Irenes

Wed, Dec 31, 1969

Director Fabio Meira and actress Isabela Torres talk about "As Duas Irenes". The guests reveal how the author's family influenced the script and tell the intriguing story of the protagonist who changed the course of her own life.

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S3.E22 ∙ Educação sentimental

Wed, Dec 31, 1969

Director Julio Bressane and actress Josie Antello talk about "Educação Sentimental". The guests discuss how this type of film is undervalued in Brazil and the crucial role of dancing in its message.

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S3.E23 ∙ Não devore meu coração

Wed, Dec 31, 1969

Director Felipe Bragança and producer Marina Meliande talk about "Não Devore Meu Coração". The guests discuss the film's approach on Paraguayan War's imaginary and their intriguing choice of protagonist.

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S3.E24 ∙ Vermelho russo

Wed, Dec 31, 1969

Actresses Martha Nowill and Maria Manoella talk about "Vermelho Russo". The guests discuss building a script with such tenuous boundaries between fiction and reality, and how challenging it is to portray Theatre on film.

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S3.E25 ∙ A cidade onde envelheço

Wed, Dec 31, 1969

Director Marília Rocha and producer Luana Melgaço talk about "A Cidade Onde Envelheço". The guests discuss how the script was born and recall the shooting's backstage.

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S3.E26 ∙ Piedade

Wed, Dec 31, 1969

Director Cláudio Assis and editor Karen Harley talk about "Piedade". The guests discuss the film's accusatory discourse and claim it as a letter to the future.

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