Episode list

Wonder Women

Sound of My Drum
In India, the Dalit are the lowest caste in the social order, and girls are especially vulnerable to mistreatment, but a group of young women from the city of Dindigul are breaking tradition by becoming the first female performers in a drumming competition.
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Women of the Sea
For centuries, the Ama free divers of Japan have plunged into icy waters to depths of 50 feet without air tanks to retrieve shellfish to feed their families. But today, a pair of women in their eighties are among the last practitioners of this endangered tradition.
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Policia Feminina
Tatiana, Paula, and Joyce are three officers patrolling the dangerous back alleys of Rio De Janeiro, tasked with reducing violence between drug traffickers and the city's military police, and wondering each day if they will be returning home to their families.
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Bomberas

Wed, Oct 12, 2016
Maria Elena is a mother, a day-care owner, and a 16-year veteran of the Bomberas, a female-led volunteer firefighting unit in the small Mexican town of San Francisco Del Rincon, where her underfunded team battles raging wildfires and toxic conditions.
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Black Mambas

Wed, Oct 19, 2016
Siphiwe leaves her home and children for weeks at a time for her job with the Black Mambas - an all-women unit patrolling a nature preserve in South Africa - where she and her squad track down the heavily armed poachers who illegally hunt endangered rhinos.
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Women of the Ice
In the mountain town of Ouray, Colorado, Dawn and Kitty are the co-owners and lead instructors at Chicks Climbing and Skiing, where they teach women of all ages the skills they need to overcome their fear and engage in one of the most dangerous sports on earth: ice climbing.
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Last of the Breed: The Dave Evans Story

Last of the Breed: The Dave Evans Story

Long time Bluegrass singer and songwriter Dave Evans heard a voice when he was just a child at the young age of thirteen. "From the ole Queen City, to New Boston town, Ironton and Ol' Hanging Rock, I've made every stop, I've played every station, while traveling down Ol' Highway 52." The ambitious youngster who at the time was just acquainting himself with the craft of music and the talent of playing the banjo, had written these mature lyrics that would come to pass as a bold prediction, some say vision, of his life to come. By age 18, the boisterous teenager and close knit family man from Portsmouth, Ohio landed his first professional job when he was asked to join Earl Taylor's Stoney Mountain Boys band where Evans would play the banjo. The talented young "Banjer Picker," as he liked to call himself, was soon gathering a reputation for having lightning quick hands when it came to stroking a banjo, and over the course of a year quickly discovered his talents as an emerging singer and songwriter as well. When an unfortunate illness struck his mother in 1969, Evans, true to his "family above all" roots, returned home to Ohio to care for his Mother and be with his loved ones. After her passing, Evans remained in Ohio until the beckoning of Bluegrass music began calling his name once again. Playing in various clubs, fairs, theatres, and festivals; he harnessed his talents until an opportunity presented itself in 1972 that he couldn't resist. Larry Sparks, known for his hard driving Bluegrass ballads, had approached Dave about joining up with his band of musical outlaws and soon Evans was a "Lonesome Rambler." It was during those years playing and touring with the Ramblers that Evans would master his deep tenor singing style that would become a staple of his identity within the Bluegrass community. As with many Legends, their stardom comes to pass through a natural progression, and Evans, true to form, after bouncing around in numerous bands of notoriety, eventually embraced his destiny and moved from being a back up vocalist and band mate, to a front man and leader of his own crew. In 1978 Dave Evans formed "Dave Evans and the River Bend," a vehicle which would finally allow the talented musician to step into the spotlight and produce the music he had always dreamed of making as a child. Soon Evans, as predicted, had played every venue, theatre, and stage along the long and winding "Ol' Highway 52." The River Bend thrived for about a decade, touring various states and territories and recording 5 albums with long time Bluegrass icons, Rebel Records. During the 90's Evan's career came to an immediate and unfortunate halt when again family came calling, and an incident transpired that to this day, has never been clearly explained to the public. After his son was attacked and shot at by a local group of troublemakers, Evans, being an individual from a time when men were men, took the law into his own hands. As the famous song "Pastures of Plenty," which Evans covered in his album "Classic Bluegrass" goes: "My land I'll defend with my life need it be, cause my pastures of plenty must always be free." Evans did just that by abiding by such a credo, but unfortunately men who follow their inner voice sometimes find that truth from within, often doesn't fit within the exterior world. Evans soon fell victim to a political agenda scorned from run-ins with past public officials that had made it their mission to retaliate against the former Lonesome Rambler who had made some enemies along the way to becoming a Bluegrass Living Legend. Evans, the respected artist, musician, and family man who had avoided a record his entire life, was sentenced to 10 years in prison for an "assault" charge. The popular, internationally recorded Bluegrass star would soon vanish from the public eye and the music business for a full decade. Evans, who was incarcerated in Ohio, was well known by inmates who had been long time fans of the local boy who had made it big. Although the charges and sentence were clearly a skewed, and never was there more of a case where the punishment didn't fit the crime, Evans, being the man he is, served his full sentence without a holler or complaint. While being locked away from the world and taken out of the limelight, Evans however continued to write music from within his "Cold Dark Cell," as mentioned in his masterful "High Waters" album from 2002. As any great artist does, he adapted and turned an unfortunate situation into positive energy, recording several albums shortly after his release and drawing on those experiences for lyrical inspiration. Songs such as "C.O. come and get me," "It's all up to you,' and "Somebody's here for me," off of his return album "Bad Moon Shining," became immediate hits with fans who immediately connected to the truth and sincerity of these telling masterful lyrics of his time in prison. Rejuvenating the River Bend Band, only this time calling on his family to round out his crew, Evans and sons continued on the path he was stalled from 10 years ago. To this day, Dave Evans continues to travel the many winding roads a musician takes throughout life. He is without a doubt, a man who has remained unchanged by time, the last of a breed of men who like life simple, and who make music for the sheer joy of it. Not preoccupied with corporate sponsors, synthesized enhanced lyrics or looking to reinvent himself, he has managed to do what few musicians have during the span of their career and life: Play by their own rules, make the decisions and music they want, and in the fashion that doesn't compromise their own personal beliefs, morals, or methods. Our film will document this amazing true story of one man's prediction of his own destiny and seeing it through despite juggling the many hurdles life can throw at you. We will interview key people from Dave's childhood and early years, as well as prominent Country and Bluegrass musicians that have played with, or been inspired by Dave's career. Our film will at all opportunities incorporate as much of Dave's music as possible to help narrate our story through not just voice over and interview, but in song.

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