Episode list

Portugal Secreto

A Profecia

Wed, Apr 08, 2020
The Santa Luzia de Campos' Chapel has an inscription that shows Afonso Henriques was already treated as king before the usual date accepted as the start of his reign. At the Archivio General de Simancas, Spain, there's a registration of the delivery of D. Sebastião's corpse in Ceuta. Between narratives that were spread through the centuries about D. Afonso Henriques and D. Sebastião, it's difficult to separate truth and myth. Nowadays we have scientific abilities to date ancient remains and artifacts, there is not enough willingness to use them, so mysteries persist.
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Finisterrae

Wed, Apr 15, 2020
It's common to find the word "lusitan" used to call the Portuguese people. It's as natural as associating Viriato with Portugal. But modern historiography has revealed to us that Viriato may not have even stepped foot on Portuguese ground. This compromises the association between what was the Lusitanian territory, and what Portugal is today. Could Viriato's and the Lusitanians' story have served nationalistic agendas?
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A Guerra Sem Trincheiras
In the common imaginary, Portugal had nothing to do with World War I. But as the Portuguese troops fought in Africa and Flanders, the German sunk a Portuguese navy boat right outside of Lisbon. German families, some long positioned in Portugal, fought for survival in Portuguese prisoner camps. An unknown episode of Portugal's part in World War I.
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Olho por Olho

Wed, Apr 29, 2020
Mattos Lobo's agonizing execution in 1842 shocked the Portuguese Society. The Gabinete de Frenologia from the Escola Médica de Lisboa, required to the justice authorization to decapitate the condemned, in order to study his cranium and determine the degree of his criminality. The idea of regenerating the criminals began to gain strength at that time. Portugal wasn't the first country to abolish the death penalty, but it was one of its pioneers.
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O Jogo da Neutralidade I
There is evidence that Portugal had an illegal wolfram commerce during WWII. The metal that's crucial to the German Tanks build. In the year 2000, more than a thousand documents were uncovered in an old abandoned Spanish railway station, showing 75 tons of nazi gold had passed through the border on its way to Portugal. Which brings us to a sensible question: to whom did the responsibility fall to confirm the Nazi gold's legitimacy?
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O Jogo da Neutralidade II
One of the most frequently spread ideas about WWII is that Portugal saved the Portuguese from the conflict. More than 600 aviators and 134 military planes landed or fell in Portuguese territory. There were dogfights from as close as two nautical miles from the Portuguese coast, complex espionage networks acted in Portugal and many Portuguese citizens were awarded the Imperial Nazi Eagle Order. Perhaps Portugal's neutrality was only possible because it was of interest to both sides of the conflict.
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Epopeia de um Mito
The sea and commercial expansion that created Infante D. Henriques' myth marked the beginning of slave trafficking. A scenario surrounded by mistakes. There's an idea that persists that Portugal was involved with slavery, but that it could be excusable because they were the first country to abolish it. It so happens that the decree published in 1761 didn't end, as a matter of fact, slave existence. A shadow, amongst many, in Portugal's Great Expansion History.
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Os Outros Habitantes
In these last years, multiple archaeological discoveries made in Azores have led to the conclusion that there had been a human presence in the islands since before the Portuguese arrived. If this checks out as true, these discoveries may contradict known History, that registers 1431 as the year Azores was discovered. Could historian Damião Góis' theory in regards to a viking presence prior to the Portuguese arrival in Azores be true?
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Tempo de Dança

Tempo de Dança

The series *Tempo de Dança* portrays, in its 10 (ten) episodes, several stages and particularities in the career of those who dance in Brazil. This documentary series addresses everything from the beginning of preparation for professionalization to the moment of leaving the stage and other dance professions besides dancer. The life of a dancer hides stories, works, sounds, details and characters that are far from those who watch a show. Behind this career, there is another vigorous and passionate movement: the paths of a professional. In each episode, we show part of the day-to-day of those who dance professionally in Brazil: the beginning in an entrance audition for a company; the selection for the cast of a choreography, the ways of creation of different artists; the dance beyond the capitals; the countless rehearsals, among other approaches. Despite many setbacks, dance and dancers have a lot of joy, challenge, artistic solutions, and ways of dancing. EP 01 - Premiere A premiere brings many professionals to the stage, in addition to the dancers. At the Balé da Cidade de São Paulo and the Balé do Teatro Guaíra, lighting, costumes, sound, stage managers, and the choreography itself take on another dimension in the theater, on stage. On premiere days, the tensions and concentrations are of various kinds: technical team, creators, rehearsal directors, and dancers. Many stories happen before the stage is swept so that the curtains can close for the audience to arrive. EP 02 - Auditions: (Re)beginning Audition. In this episode, in companies of different sizes, places, and styles, we follow candidates, directors, and teachers during the audition: beginnings and re beginnings, the challenges of getting the long-awaited contract. Candidates for the São Paulo Companhia de Dança, Paraopeba Cia de Dança, and Balé Teatro Guaíra are approved, and others are left out of a selection. EP 03 - Ways of Creating In this episode, Rodrigo Pederneiras, Cassi Abranches, Alex Soares, among other Brazilian choreographers, talk about how they built their styles, how they fuel their ways of creating, the challenges for a small market in Brazil, and their achievements. EP 04 - Creation and Remounting Choreographers Jomar Mesquita (Mimulus Cia de Dança - MG), Ivan Berdardelli and Mônica Augusto (Cia Dual - SP), artistic director Juliana Adur and executive producer Cindy Napoli (Descompanhia de Dança - PR), and remounter Giovanni di Palma (São Paulo Cia de Dança - SP) talk about the creative process, the challenges of each work, and how they balance their movement research with the cast. On the other hand, dancers talk about what it is like to adapt to different styles and the possibility of being selected to be part of a cast. EP 05 - Love and Pain To talk about this theme that is so dear to the world of dance, physical pain, dancers from the Balé da Cidade de São Paulo, São Paulo Companhia de Dança, Paracuru Cia de Dança, and others who have left the stage talk about chronic and acute problems. Professionals talk about what it is like to work with pain, how it is overcome on stage, or the difficulty of facing the farewell to professional dance before its time. EP 06 - Rehearsals Three companies show what the day-to-day of rehearsals is like: Clarin Cia de Dança (urban dances), São Paulo Companhia de Dança (classical dance), and Dança sem Fronteira (contemporary dance). We follow each of them, the tireless repetitions, the details that each style requires. Through their attempts, successes, and errors, we discover what the intentions of the choreographer or the work are. EP 07 - Challenges and Changes The challenges of staying in the same company and the desire to face changes. Independent dancers from the Balé Teatro Guaíra, Balé da Cidade de São Paulo, and São Paulo Companhia de Dança tell their stories and what keeps the dance alive in their bodies: whether it is believing in big companies or embracing smaller projects. EP 08 - Beyond the Capitals Outside the big centers, how does a company live and survive in the interior and on the coast of Brazil? Paracuru Cia de Dança, on the coast of Ceará, Cia Jovem de Dança de Jundiaí, in the interior of São Paulo, and Paraopeba Cia de Dança, a small town in Minas Gerais, reveal their experiences, expectations, and forms of recognition far from the theaters and stages of the capitals. EP 09 - Living from Dance The experiences of large companies and those of small or independent ones are placed side by side in this episode, in which we learn about their challenges and ways of living from dance: Grupo Corpo (MG), Mimulus Cia de Dança (MG), São Paulo Companhia de Dança (SP), Cia Dual (SP), Balé do Teatro Guaíra (PR), Descompanhia de Dança (PR). In general, the larger ones offer a certain stability of production for those who dance; the independent ones, smaller in structure, give artists the chance to create in a more personal way. One is not better than the other, but they complement the dance scene. EP 10 - Dancing, and After? Is it possible to continue in dance after leaving the stage? The episode talks with professionals who have left the scene at different times: artistic director Iracity Cardoso, ECA professor Sayonara Pereira, ballet master Elias Bouza, professor and still dancer Irupé Sarmiento, rehearsal director Mariana do Rosário, and artistic coordinator Raymundo Costa. These professionals tell how farewells from the stage happen, their desires, their new professions, and how dance continues in their lives in different ways.

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