Episode list

Miya Biwi Aur Murder

Episode #1.1

Thu, Jun 30, 2022
A police officer and Priya's husband, Jayesh is on police duty while Priya decides to meet with her tinder date, Varun. However, Priya is not the only one who is cheating.
6 /10
Episode #1.2

Thu, Jun 30, 2022
Priya struggles to hide her lover, Varun's dead body as her husband, Jayesh comes back home from his duty and knocks on the door.
6.3 /10
Episode #1.3

Thu, Jun 30, 2022
Unaware that Priya is hiding a lot from him, Jayesh strives to hide his secret relationship with Malti as the two conspire to get rid of Malti's body.
6 /10
Episode #1.4

Thu, Jun 30, 2022
As Priya and Jayesh figure out how to deal with their ways of cheating and attempt to work on their broken relationship, more trouble awaits them outside their door.
6.3 /10
Episode #1.5

Thu, Jun 30, 2022
Someone takes Malti's body. If Priya and Jayesh believed that was the end of their problems for the day, they were mistaken.
6.7 /10
Episode #1.6

Thu, Jun 30, 2022
Achcheylal is well aware of what the shenanigans Priya and Jayesh are up to. The one and the only way to silence Achcheylal is to kill him.
6.3 /10
Episode #1.7

Thu, Jun 30, 2022
Malti comes back into the lives of Mrs and Mr Roy and this time she is here to stay. She demands to stay in the house in the capacity of the wife of Jayesh and if the couple refuses her offer, she threatens to rat them to the police.
6 /10
Episode #1.8

Thu, Jun 30, 2022
Dreaded gangster, Abbas pays a visit to the Roy household. His visit unveils many truths and slowly but surely the true faces of everyone are revealed. Why does Abbas come to the Roys?
6 /10
Episode #1.9

Thu, Jun 30, 2022
Despite all the differences, Priya and Jayesh have to work together once again but this time against the most dreaded gangster of town- Abbas.
6.6 /10

Edit Focus

Life Love Death

Life Love Death

"Life, Love, Death" was made before the abolition of capital punishment in France. Its central message is the inhumanity of the guillotine. The film, which is shot somewhat in a cinema verite style, divides roughly into three acts. In Act One, there is a series of murders of prostitutes in Paris. An obviously deeply disturbed man is hiring these prostitutes and then strangling them. Suspicion falls on François (Amidou), a married man with a child. The police put him under surveillance. (Viewers will recognize the inspector in charge of the team as Marcel Bozzuffi, who would play Popeye Doyle's nemesis in The French Connection a couple of years later.) Ironically, François is experiencing spiritual healing and renewal through the power of love---not with his wife, of course, this being a French film, but through an affair with a beautiful young woman he has met (not a prostitute). But just as this is happening and François seems to have lost the need to commit violent crimes, he is arrested. Act Two is the arraignment, trial and exposition of François's life and history. His recent transformation, of course, makes no impression on the court, and he is sentenced to death by guillotine. Act Three is a documentary-style record of François's last days in prison and his execution. The last scene in the film is an image of the guillotine's blade beginning its descent; it slows and freezes and there is a fade to black, as a voiceover issues a passionate plea for abolition of the guillotine.

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