Episode list

München Mord

Die Hölle bin ich
A young has been found murdered in her apartment after lying there for two weeks. Her brother, just released from prison, meddles with the police investigation.
7.1 /10
Wo bist Du, Feigling
"Where are you, coward?" Angelika Flierl asks herself. She just witnessed an unknown man randomly harassing a woman in a park, and then hitting her fiancé so brutally when he tries to intervene that he dies shortly after. It's the hardest kind of homicide to solve: a totally random act without a real motive. The front page headlines have the police on the spot. Unpleasant department chief Zangel and district attorney Holzmann put pressure on the investigators, Angelika Flierl, Harald Neuhauser and Ludwig Schaller. Especially Schaller goes out on a limb when he uses his inductive mode of investigation, hoping for the right inspiration. Either he succeeds - or he'll be suspended. The future of the team is at stake...
7 /10
Leben und Sterben in Schwabing
In Schwabing, a body tied to a lamppost is discovered. This is the real estate speculator Riester. He is jointly responsible for the progressive gentrification in Schwabing. The old-established tenants make themselves suspicious.
6.6 /10
Die Unterirdischen
A Munich celebrity chef is found stabbed to death in a cemetery. The tracks lead into an ominous underground club in which the victim was a frequent guest.
6.6 /10
Was vom Leben übrig bleibt
A heart-sick undertaker falls dead at his daughter's birthday party. The daughter reports doubts about a natural cause of death. A case for the special department.
6.7 /10

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Fortynine

Fortynine

Between 1996 and 2006 Michal Kosakowski produced 49 short movies on the subject of killing. 49 killings, dreamed up by inhabitants of the metropolis of morbidity - Vienna. In 1996, Kosakowski began to inquire into fantasies of killing - at first among his relatives and friends, then widening the circle to include artists, musicians and, eventually, actors. Within a decade, Kosakowski made 49 short movies, an essential element of which is the fact that these killing fantasies were put into practice with the complicity of the respondents themselves and depicted in the 49 videos. The collaborations between Kosakowski and his fictitious killers and victims in scripting, acting and staging the films could not have been closer or more intense. Michal Kosakowski himself was in charge of directing, camera, editing and special effects for all 49 films. The fantasies of violence, all of which seem to feed on the explicit violence omnipresent in film and television, are stunning. Not a single one of the 160 performers has a criminal record or was ever involved in any real acts of violence. And yet poisoning, torture, suicide, execution, ritual murder, violence by and against women, men, and children, murders motivated by sexual, political, and mental aberration come face to face with the recipients' emotions, naked and uncensored. The video-installation FORTYNINE is a 5x4x3 meter mirror-walled cube. Visitors who enter the cube are confronted by a 49-part HD split-screen that mirrors their reflections to infinity. The fact of interpersonal acts of violence, here anchored in present-day aesthetics, is also reflected in the emotions visible on the faces of the visitors, which are equally mirrored to infinity. 49 examples of fictitious killing collide head-on with the real emotions of the installation's visitors. The collective experience of any emotion generates intimacy - and it is precisely this intimacy that acts as a further constitutive component of FORTYNINE: the confrontation of the individual with itself, in the face of the most atrocious examples of violence. What Michal Kosakowski grants us is the rare occasion to experience a genuine taboo of our times and our Western society - death. A death that, for the time being, seems to present itself exclusively in the contemporary guise of the incessant violence staged by the media.

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