A former vaudeville child star torments her paraplegic sister, who eclipsed her as a movie star, in their decaying Hollywood mansion while desperately clinging to hopes of a comeback.
In a tale that almost redefines sibling rivalry, faded actresses Blanche and 'Baby' Jane Hudson live together. Jane was by far the most famous when she performed with their father in vaudeville but as they got older, it was Blanche who became the finer actress, which Jane still resents. Blanche is now confined to a wheelchair and Jane is firmly in control. As time goes by, Jane exercises greater and greater control over her sister, intercepting her letters and ensuring that few if anyone from the outside has any contact with her. As Jane slowly loses her mind, she torments her sister going to ever greater extremes.—garykmcd
In 1917, Baby Jane is a famous, but spoiled child star that performs a show with her father under the jealous look of her sister Blanche. In 1935, Blanche Hudson becomes a famous and glamorous actress in Hollywood and the untalented Baby Jane Hudson only acts because Blanche forces the producers to give parts to her. One night, they go to a party and there is a car accident. In 1962, Blanche is a crippled woman that has been left wheelchair-bound after the accident that lives with her alcoholic sister Baby Jane in a decaying Hollywood mansion. Baby Jane does not recall the accident since she was drunk and is in absolute control over Blanche that is completely isolated without any contact with the outside world and dumping her correspondence in the trash. As Baby Jane becomes more insane, she decides to return to the stage and hires the idle Edwin Flagg to play piano. Meanwhile she continues to torment Blanche and her cruelty increases.—Claudio Carvalho, Rio de Janeiro, Brazil
Elderly sisters Blanche Hudson and Jane Hudson, who now live together in a house owned by Blanche, have each had their brush with fame. As a child, Jane, better known as Baby Jane, was a spoiled vaudeville star, doted on by their manager father to the exclusion of timid Blanche, who was hidden behind the scenes. As young adults, Blanche became a movie star, and used her fame and power at the studio to get Jane movie roles, much to the studio's chagrin, they who felt Jane more a liability than asset. Blanche's stardom continued until her "accident" which has left her wheelchair-bound and now largely dependent upon Jane for the most basic of needs. Blanche is enjoying a resurgence in popularity with her old movies being shown on television, which irks A-type Jane, whose celebrity is largely forgotten. As such, an angry Jane is in the process of trying to reestablish her career by resurrecting her Baby Jane act. To take Blanche down another notch, Jane also uses total control and other forms of psychological torture to torment Blanche, who feels largely helpless as she can't get messages out of the house or receive incoming messages without Jane knowing or approving. Blanche believes Jane is emotionally disturbed and wants to drive her crazy, or worse kill her. The truth behind some long standing Hollywood gossip may be the tipping point in resolving the battle between the sisters, but not before some collateral damage.—Huggo
Two aging sisters, Blanche and Jane, share a large house. Jane was once a child star and Blanche was, in adult life, a star of the silver screen. Blanche's career ended when she was left paralysed from the waist down in an accident involving Jane. Now Jane looks after Blanche in the house, though not very well. Filled with bitterness at her own cinematic career never taking off, envious of Blanche's career and money, an alcoholic and a touch deranged, Jane goes out of her way to torment her sister.—grantss
In 1917, nine-year-old "Baby" Jane Hudson (Julie Allred) is a vaudevillian child star. She performs to adoring crowds and inspires the creation of a rather expensive Baby Jane doll. Jane is shown to have become a spoiled brat whose doting stage-father Ray Hudson (Dave Willock) gives in to her whims and demands while her disapproving mother and jealous, overlooked 11-year-old sister Blanche Hudson (Gina Gillespie) watch from the sidelines.
By 1935, the now grown sisters' roles have reversed. Both are movie stars, but Blanche is the successful and glamorous one, while Jane's films have flopped. Unable to establish her talent as an adult actress, Jane has taken to drinking. One night after coming home from a party, their car pulls up the driveway to their mansion and one of the sisters steps out to open the gate. When she reaches the gate, the sister who is driving steps on the accelerator, smashing the car into the gate.
In 1962, a wheelchair bound Blanche (Joan Crawford) and a severely aged Jane (Bette Davis) are living together in a creepy mansion in Los Angeles. Blanche lives primarily in her bedroom watching her old movies on television and reliving her former career. Jane is an antagonist who fights with her sister constantly, drinks excessively, and wears caked-on makeup in an effort to appear young again. Blanche is heavily dependent on her bitter, abusive sister, except for her friendly relationship with their cleaning woman, Elvira Stitt (Maidie Norman). Elvira is concerned for Blanches well-being at the hands of "crazy" Jane, but Blanche defends her. Elvira tells Blanche that she has discovered her sister has been opening her mail and dumping it in the trash, but Blanche is slow to condemn her and shows concern for her sister's welfare.
In her own world, Jane is reliving her childhood success in a dark, disturbing manner. She is lost in her memories when she sees her reflection in the mirror and is horrified. At that moment Blanche calls for her sister with an annoying, repeated use of a bedside buzzer from her room: She wants to know why she cannot call out on the telephone was it left off the hook downstairs? Jane is annoyed when Blanche informs her she may be selling the house. Jane fights with her sister, fearing what will become of her, and rips the telephone cord from the wall, further isolating Blanche in her room. When Jane brings Blanche's lunch afterwards, Blanche finds under the silver serving dish lies her beloved parakeet, dead on a bed of tomato slices.
Jane makes herself up to go out and place an advertisement for a piano player so she can restart her performing career. While she is out, Blanche tries to get the attention of her neighbor, Mrs. Bates (Anna Lee), who is tending her flowers below Blanche's window. When Blanche cannot get her attention, she writes a note pleading for help and throws it from her window. Unfortunately, Jane returns at that moment and the distraction of the car coming up the driveway prevents Mrs. Bates from seeing the crumpled paper. Jane finds the note, however, and when she brings Blanche's dinner up, she argues with her sister again, telling her the house is hers and it will never be sold. Jane mocks her sister's kindly concern and drops the folded note in her lap. Jane leaves the room, and when Blanche goes to her serving tray for dinner, she cannot bring herself to touch it.
The next morning when Elvira arrives, Jane tells her she can have the day off. Jane's abuse of Blanche continues and they fight again when she brings Blanche her lunch. Blanche has not touched her dinner from the night before and wants to know why her breakfast had not been brought. Jane responds because she had not eaten her dinner and Jane tauntingly eats from the previous night's plate. As she takes the dinner tray away, she tells her sister they have rats in the basement, and when Blanche goes to eat her lunch, she finds a dead rat on the plate. Blanche screams and Jane laughs evilly at her sister's despair.
Meanwhile, a talented, down-and-out, overweight young man named Edwin Flagg (Victor Buono) sees Jane's newspaper advertisement and phones the Hudson house to make an appointment for that afternoon. Edwin lives with his mother and hopes to use this opportunity to land some cash for himself and his mother.
When Edwin shows up at the house, Jane grotesquely performs her signature song from her childhood, "I've Written a Letter to Daddy," with Edwin playing the piano. Edwin tries to conceal his disgust. Jane brags about who she was as a child and shows him a scrapbook of herself. At this time, Blanche uses her buzzer repeatedly to call her sister, wanting to know who the visitor is. Enraged, Jane goes upstairs, confronts Blanche, and rips the buzzer out of the wall and slaps her sister.
Back in the living room, Jane and Edwin agree to his salary and they plot their moves. Jane then drives him home. While shes out, Blanche goes into Jane's room looking for food (by now, she hasn't eaten in a couple of days) and discovers that Jane has practiced forging her signature and is writing checks under Blanche's name. She works her way down the stairs to the telephone. Blanche calls Jane's doctor and tells him that she needs help and asks if he could come to the house right away.
Jane comes home to find Blanche on the phone, talking to the doctor. Blanche abruptly ends the conversation and tries to make excuses in front of her enraged sister. Jane beats her as she lies on the floor, kicking her in the head and stomach until she is unconscious. Jane then calls the doctor back and, disguising her voice as Blanche, tells him not to come because "Jane found another doctor". Then Jane drags her sister to her room, ties her by her arms, gags her, and leaves her there.
The next day, Elvira arrives to see Blanche. Jane tells her that her services are no longer needed and dismisses her. Suspicious, Elvira sneaks into the house when Jane leaves for the bank to get money to pay Edwin. She finds Blanche's room locked and is attempting to remove the door from the hinges when Jane comes home and catches her. Upon Elvira's demands, Jane gives her the key, and as the maid enters the darkened room to find Blanche bound and gagged, Jane uses a hammer to kill Elvira. Jane sinks deeper into her delusions, saying, "If only they had loved me enough." Edwin rings the doorbell, but Jane does not answer, "Not now Edwin, not now," and when he leaves, she sobs in despair. She drags Elvira's dead body from the house and disposes of it by dropping it some distance away in a garbage bin.
One week later, the police phone the Hudson house and tell Jane that a cousin of her maid reported her missing. Jane tells them that she hasn't seen Elvira in a week. A panicked Jane then prepares to leave with her sister, fearing the police will discover what she's done. Suddenly, a drunken Edwin shows up at the house, demanding to receive his first payment. While he is there, a weakened Blanche is able to knock over a bedside table in her room. Edwin hears the noise, goes upstairs to investigate, and finds Blanche tied to her bed. He is shocked at her "dying" condition as she begs for his help. Edwin runs from the house and gets away from Jane. Desperate, Jane puts her sister in the car and drives to the beach.
The next morning, the search is on for the missing Hudson sisters. Elvira's body was found by the police, and there are bulletins on the radio. Blanche, starved and dehydrated, is lying on the sand with Jane sitting beside her, oblivious to her plight. Aware that she is dying, Blanche tells Jane the truth of what happened years before. It was she, Blanche, who tried to run over her drunken sister. Jane, however, moved out of the way in time and Blanche had slammed into the gate and snapped her spine, but managed to drag herself out of the car and up to the wrecked gate. Because Jane was too drunk to realize what happened, she has long believed that she was responsible for her sisters condition. Jane sadly asks, "You mean all this time we could have been friends?"
However, this revelation comes too little too late for Jane, whose mental health has completely deteriorated by this point. Jane runs to a beach-side concession booth to get ice cream cones for the two of them. Two policemen arrive and intercept Jane as she is returning with the ice cream cones. As a crowd of beach-goers begin surrounding her, Jane realizes that she again has the attention she's long craved, and she dances before the onlookers, joyfully happy at last, in her decayed imagination. The police spot a motionless Blanche lying on the sand and break through the crowd to help her as the deranged Jane continues to dance.
THE END
