In 1980, USA opens to Cuban refugees. Once in Miami, Dorita tries to create a Perez "family" of 3 to get a sponsor. She wants Juan to be her "husband" - plus a "son" or "dad".
In an attempt to secure a sponsor, an unlikely group of Cuban refugees become a "family" as the U.S. Immigration and Naturalization Service gives families priority over others. In the process, a political prisoner who hasn't seen his wife for twenty years and a disaffected sugarcane cutter fall in love. An excitable brother and a lovestruck cop contribute to the general confusion. The inevitable humorous romantic entaglements ensue as a final confrontation is set up.—Tad Dibbern <[email protected]>
Cuban boat-lift refugees (Carter era) land in Miami, with different goals. The story focuses on relationships that develop under hard circumstances, with long lasting effects. Drama is real, story is clean and not predictable. Character development is adequate, actor list is 1st class. Good writing. Marisa Tomei is incredible, as usual, and her character was the most developed, but a bit predictable at some points. At times, however, it feels as though you are seeing the table of contents version only of a great novel. There was so much talent available, and so much more character development was expected. Could be editing issues. The politics both, national and international were glossed over, and made to seem insignificant, like another day in the park. The boat lift of political prisioners from Cuba, deserved way more development and insight and with the amazing cast, it was an oppurtunity lost. The end of the movie provides a twist but not so strange as to be unbelievable, but again,so much interpersonal drama was available but not included. The acting was excellent considering what the actors were given to develop.
