Summaries

Mossad agents kidnap an American Jewish man, accuse him of being a fugitive Nazi war criminal and take him to Jerusalem to face trial for genocide.

Arthur Goldman is a rich Jewish industrialist, living in luxury in a Manhattan high-rise. He banters with his assistant Charlie, often shocking Charlie with his outrageousness and irreverence about aspects of Jewish life. Nonetheless, Charlie is astonished when, one day, Israeli secret agents burst in and arrest Goldman for being not a Jewish businessman but a Nazi war criminal. Whisked to Israel for trial, Goldman forces his accusers to face not only his presumed guilt--but their own.—Jim Beaver <[email protected]>

Details

Keywords
  • criminal
  • scene during opening credits
  • strip search
  • courtroom drama
  • holocaust criminal
Genres
  • Drama
  • War
Release date Jan 26, 1975
Motion Picture Rating (MPA) PG
Countries of origin United States
Language English German
Filming locations New York City, New York, USA
Production companies Cinévision Ltée The American Film Theatre The Ely Landau Organization Inc.

Box office

Tech specs

Runtime 1h 57m
Sound mix Mono
Aspect ratio 1.85 : 1

Synopsis

Arthur Goldman is Jewish and a Nazi death camp survivor. Now a rich industrialist, he lives in luxury in a Manhattan high-rise. He banters with his assistant Charlie, often shocking him with his outrageousness and irreverence about aspects of Jewish life. One day, Israeli secret agents burst in and kidnap Goldman and take him to Israel for trial on charges of being a Nazi war criminal. Goldman's trial forces his accusers to face not only his presumed guilt, but their own as well.

At the end it appears that Goldman falsified the dental records which the Israelis used to identify him in order to bring about the trial. When the deception is revealed by the Israeli prosecutor, Goldman is left standing in the trial court's bulletproof glass box, a broken man, and dies.

The plot was inspired by actual events surrounding the kidnapping and trial of Adolf Eichmann.

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