An Iranian film maker (Bahman) is making a documentary in the UK about a British war veteran from the Iraq war. Bahman falls in love with his Editor (Kate) who lives with her son (Elliot). Bahman's wife (Neda) confronts Kate. Bahman has applied for political asylum while Neda is missing her family and culture back in Iran.—Alireza Razazifar and Fedya Noorelahian

An Iranian film maker (Bah man) is making a documentary in the UK about a British war veteran from the Iraq war. Bah man falls in love with his Editor (Kate) who lives with her son (Elliot). Bah man's wife (Ned) confronts Kate. Bah man has applied for political asylum while Ned is missing her family and culture and wants to go back to Iran. The film applies principles of film making from Iranian post-revolutionary cinema ('Neutralism') to the context of British culture. Examples of these principles used in this film are non-pare-structured and peer production script; nonprofessional actors; improvisation; long takes shots; and other technical aspect with integration of some poetical aspect of British and Iranian cultures. The film is 92 minutes feature and was shot in Yorkshire.—Anonymous