An unscrupulous minister starts a 'back to Africa' movement.

Fiery preacher Charcoal Johnson, though no model of sanctity, gains control of a Mississippi Baptist church through personal magnetism; he uses this springboard to organize a 'Back to Africa' movement among his fellow afro-Americans, along the lines of evangelical religion. Weathering accusations of swindling, he emerges as the self-styled (future) Emperor of the United States of Africa. But his tin-plated pomp is threatened by greed, personalities, and practicalities...—Rod Crawford <[email protected]>

The film is based on the career of Marcus Garvey, who organized a Back-to- Africa movement among blacks in the United States, and is not an "All-Black-Cast" film, as there are white actors, including the director/producer Bud Pollard, playing some minor, uncredited roles. Deacon "Charcoal" Johnson is heading a Back-to-Africa group and raising funds (to his pockets, mostly) all the way from Logan, Mississippi to New York City's Harlem, where a procession of Johnson's followers and elite troops parade to the music of Victor Herbert's "March of the Wooden Soldiers."—Les Adams <[email protected]>