A young man returns to his home city of Pittsburgh and moves in with an older woman whom he begins to rely on for emotional and financial support.
Chris Bradley is a young man who returns to his home city of Pittsburgh after several years of drifting and working odd jobs around the country since his discharge from the U.S. Army. Not wanting to move back in with his father and return to the family busies of manufacturing baby food, Chris meets and shacks up with Lynn, an older woman who works as a model in local TV commercials and becomes his 'sugar mama,' supporting him financially and emotionally. This begins to put a strain on the affair, especially when Lynn finds out that she's pregnant and does not feel that Chris would make a responsible father or husband.—matt-282
In New York City, after completing an Army tour in Vietnam, Chris Bradley (Raymond Laine) loses interest in his job as recording session backup guitarist and drives to his home town of Pittsburgh, where he looks up his father at the restaurant in which he frequently dines.
Roger Bradley (Roger McGovern), the owner of a baby food manufacturing company, is pleased to see his son, but gently warns that he should get some direction in his life. Together, they visit a go-go club, where Chris is amused to see that his father is attracted to the dancer. When Roger says he can "still cut the mustard," Chris introduces him to Samantha (Louise Sahene), a dancer who is a friend of his ex-girl friend, Terri Terrific (Johanna Lawrence). Later, now drunk, the three of them visit Terri, who has accepted Chris's unpredictable appearances in her life. After inviting themselves in, they smoke marijuana and Sam seduces Roger. Although Chris and Terri share conversation and some laughs, they do not resume their sexual relationship.
Meanwhile, Lynn Harris (Judith Ridley, billed as Judith Streiner), an actress in a beer commercial, attracts Michael (Richard Ricci), the commercial's producer. As they film a party scene in which happy couples drink Bold Gold beer, Lynn expresses her doubts about the ethics of making products seem better than they are. Michael responds that the commercials provide jobs for everyone in the room and that people watching the commercial can vicariously have a brief experience of living passionately. After the filming, Lynn goes to Michael's apartment, but when he tries to make love to her, she stops him. In his desire for her, Michael offers to arrange anything for Lynn, but she admits that she is a little afraid of him.
The next morning, Terri introduces her young son, Chrissie, to Chris and Roger, explaining that they are his father and grandfather. While waiting for his train, Roger questions Chris about his son, but Chris admits that he is not certain he is really the father and refuses Roger's offer of a job. As Chris returns to his car after seeing Roger off, Lynn, who is late for a TV commercial audition, knocks him down in her rush to catch the train. Chris offers her a ride and, pretending to be her manager, gets her the job without an audition. He then invites her out and during a long day together, they talk about numerous subjects.
At her apartment, Lynn tells Chris that she is comfortable with "making love" to him, but not "going to bed" with him. As a compromise, Chris agrees to sleep on her couch. Having no other place to stay, Chris continues living with Lynn, although the future of their relationship remains unclear. Every morning, Chris awakens to the sound of a radio talk show hosted by Lynn's father. When Lynn tries coaxing Chris into deciding his future, he evades her with flippant jokes. Lynn tells her divorced mother (Eleanor Schirra) that, tiring of the shallowness of doing commercials, she thinks that she wants to be a wife and mother. Bitterly, her mother replies that she was a perfect wife and hostess, and suggests that Lynn get ahead by making her own money.
Two months later, while Chris stalls filling out a college application, Lynn says truthfully that she is pregnant, but seeing his reaction, apologizes and retracts her statement. When Lynn orders Chris to leave the apartment for the day because her mother is visiting, he visits Terri. Although Chris enjoys playing the father to Chrissie, Terri tells him it is too late to get involved with her son, and that although she wishes he were Chris's, she is not certain.
By listing Lynn's father as a reference, Chris gets an interview for an advertising job for which he is unqualified. Chris' fraudulent use of her father's name and his naïveté that he can get a job without proper training angers Lynn. However, Chris easily bluffs two gullible businessmen into hiring him and later tells Lynn he talked "horseshit." Surprised and pleased that he got the job, she apologizes and he admits that she caused him to stretch himself. He then confides that he has a child. Lynn acts stunned and, soon after, meets with Michael to ask for help in ending her pregnancy. Still stinging from Lynn's rejection, Michael snubs her at first, but then admits he is jealous of the baby's father. Although he agrees to procure an abortion for her, he says that when he offered to arrange anything, he had hoped to create, not destroy.
At work, Chris is given the task of creating a television commercial to promote the US Army to young men. While listening to his colleague list ridiculous reasons why a man would want to join the Army, Chris looks out the window to an odd street display of an elaborate, function less machine with gears and pulleys. Abruptly, Chris resigns and walks outside past the machine through a crowd of spectators who are being interviewed about the machine by reporters.
Later, while talking to Lynn about his day, Chris expresses amusement that people tried to give meaning to the machine, which "some silly ass" had displayed for no purpose. More concerned that Chris quit his job, Lynn asks what it is he wants and, after several flippant answers, Chris says he wishes he could talk to her.
Later that evening, as Chris, who is unaware of Lynn's pregnancy, waits for her at the apartment, Lynn walks down a dark stairway to a garage where a man (George Kosana) awaits. After she presents him with cash, the man drives her to a vacant building to have an abortion. When Lynn still has not returned by 10:30 pm, Chris leaves a note on her typewriter, asking where she is, and departs.
Meanwhile, Lynn is lying on a bed when she changes her mind about the abortion and runs away, chased by two men (in the film's most harrowing scene).
Chris proceeds to Terri's apartment, but learns from the landlord that she has moved. Later, Chris' parents discover him sleeping in a tree outside their house. After Chris confides his story about Lynn's and Terri's disappearances, Roger says he should have allowed him to help and expresses impatience that he is providing money for Chris to live a directionless life. Solemnly, Chris says he does not want to work at his father's factory or at any of the other jobs he could have. Understanding, Roger suggests that the situation is a lot like going to Howard Johnson's for an ice cream, where you can get exotic flavors, but somehow end up with vanilla. Chris jokingly asks about the man who prefers butter pecan, to which Roger says that the man is always disappointed when he cannot get it, and adds meaningfully, "There's always vanilla."
Sometime later, as a commercial plays on a television in a suburban home, a narrator claims that life is available to the man who acts and thinks "bold." The commercial continues as Lynn and a man ride off on horses to a gathering of happy friends who drink Bold Gold beer. When the commercial ends, Lynn's husband, who is setting up a bassinet, jokes that the very pregnant Lynn used to be thinner. Soon after, a large, but very light box arrives special delivery. Following the instructions Chris has written on the package, Lynn and her husband go out to their front yard to open it and watch, as two helium-filled balloons float out and up into the bright blue sky.
