This often-scathing Irish melodrama begins with a documentary crew invading the home of Sandra, who has agreed to be interviewed despite her caustic tongue and what seems like a burning desire to antagonize the filmmakers. She is one angry woman: sometime in the very recent past, her teenage son Stephen kidnapped a toddler and created a national panic/sensation. Both Stephen and Sandra have become public enemies, with Sandra having been all but crucified, made into the kind of media scapegoat tabloid readers love to loathe.—Karlovy Vary International Film Festival