Santa Fe begins where Corti's 1982 film God Does Not Believe In Us Anymore leaves off. In 1940, a ship arrives in New York harbor filled with exhausted Jewish immigrants desperate to begin a new life. Freddy struggles to find work, learn English, and overcome his piercing alienation. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer. A totally absorbing picture, which examines with complete assurance the hopes, doubts, and memories of immigrants who have no place to call home. Corti's trilogy continues with Welcome In Vienna.—National Center for Jewish Film

Picking up where "God Does Not Believe In Us Anymore" leaves off, Freddy struggles to find work after arriving in New York in 1940. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer. Corti's trilogy continues with "Welcome in Vienna"—National Center for Jewish Film