Florentina Holzinger opens "Sancta" with Paul Hindemith's one-act opera "Sancta Susanna", in which a nun brutal punishment for her sexual self-determination experiences. A holy trade fair follows: Bach, Rachmaninow, Metal, Noise and contemporary compositions meet in a musical tour de force, in which magic and miracle of the church experience an appropriation, but also processed their relationship to victims and violence. The religious disciplination and punishment of sexuality to obtain religious ecstasy contrasts Sancta a lustful counter-draft.—Mecklenburgisches Staatstheater