Exploration of the madness of modern communications and TV deploying the metaphor of the madness of King George the Third.
Red was King George the Third's most favorite and powerful color: red for anger, red for love and red for madness. Is the madness floating over the court of King George the Third the same insanity guiding a country with the highest amount of TV channels in the world? Is broadcasting and communication in the 21st century enthralled with the same madness raging at the court of King George the Third? Some of the leading broadcasters in TV, web and communication strategists are arguing and commenting about broadcasting in the 21st century.—Alex Altman
Red was King George the Third's most favorite and powerful color: red for anger, red for love and red for madness. Is the madness floating over the court of King George the Third the same insanity guiding a country with the highest amount of TV channels in the world? Is broadcasting and communication in the 21st century enthralled with the same madness raging at the court of King George the Third? Some of the leading broadcasters in TV, web and communication strategists are arguing and commenting about broadcasting in the 21st century.
The film opens at the court of King George the Third. Broadcasting is just like a painting being fed to a court or a nation; it tells a story and this story is "RED by James Hogan" a documentary about 21st century broadcasting within a 21st century background in its setting and design where the past meets the present and the future.
The film in monochromatic red is 4 hours long. A 60 minutes version will exist in full color and without any animation.
