"Can the Universe in which a withdrawn character exists, somewhat isolated from the civilized world by virtue of his social condition, be less important than the Universe of the civilized world of which he is not a part? Could we admit that the wars that this character is waging in the depths of his being are just as devastating as those waged by the civilized world on a large scale? Well, here it is, a few years ago, I had the curiosity to undertake a foray into the Universe of such a character, with the help of visual means, which in the end outlined his story in a cinematic form, what is called a film . The war that Gavril (the character's name) is fighting is crucial for him. He ends up holding his child, a girl like a fairy from stories, cloistered in a house lost between swamps and forests, pushed to this gesture by the sin of his wife, who had lived an idyll with his former master. Gavril doesn't want to relive the pain he went through then, years ago, and that makes him keep his girl away from the world, just so he can at least protect her from...sin. But, among the puddles, a handsome young man appears, who asks Gavril to teach him the art of hunting. From now on, in the rush of events that will take place, it will be seen in what way, Gavril, will succeed or not, to respect the few biblical precepts, which are the basis of his inner structure, especially one of them: do not kill . So, my dear friends, you guessed it, it is about, SIN. Biblical sin, which, hasn't it?, has been stirring up our souls for thousands of years."—Mihai Mihaescu