Daedalus escapes from the Labyrinth to find the ideal state, but soon he falls into tragic moments of history.

Mazomenos (b. 1964) had appeared with his first experimental film in 1995 with Days of Rage-A Requiem for Europe ( MeresOrgis-Ena Rekviem gia tin Evropi), an eschatological visual exploration of the last days of Europe, based on the classical myth of Deadalus and the science-fiction idea of establishing a utopian society through coercion and torture.—Vrasidas Karalis, A history of Greek cinema, New York (2012)