Two women, both named Mary, meet at a police station in the aftermath of their respective sexual assaults. Guiding them through this world is PC Moody and his colleague PC Eddowes.
'Why are women so killable?'
First seen at the Royal Court in London in 2021 and a fictional artistic response to recent real-life events, Maryland grapples with the violence women are forced to reckon with in their everyday lives. This 30-minute adaptation tells the story of two every women, both called Mary, and a chorus of modern day furies as they deliver their stories of assault.
Maryland began life as a stage play at the Royal Court in 2021. It was described by writer Lucy Kirkwood as a 'howl' of rage against male violence, written over 48 hours following the violent, high-profile murders of several women in 2020/21. After its first performance, acclaimed documentary maker and director Brian Hill worked with Lucy to bring the script to life for the BBC.
Lucy has adapted the stage play into a screenplay, and the production features an outstanding cast, including Daniel Mays, Zawe Ashton and Hayley Squires. Whilst dealing with a very dark and difficult subject, Maryland has flashes of wit and humour that make it a compelling watch.
Zawe Ashton and Hayley Squires play the lead roles of two women, both named Mary, who meet at a police station in the aftermath of their respective sexual assaults. Guiding them through this world is PC Moody and his colleague PC Eddowes. They are supported by a cast of Furies, similar to a Greek chorus, who rail against the injustices the women face, both in the events of the play and in the wider world.
The film is shot in a heightened, dramatic and stylised way, alluding to its roots in the theatre.
"This play was for many years a private conversation with myself... I hesitate to even call it a play when it is simply a howl, a way of expressing what I feel about a culture of violence against women, but I am sharing it because I wonder if it might express a little of what other people feel about it too." Lucy Kirkwood.