Shortly before the WW II, Ella takes on the identity of her husband Max after his death to work instead of him in the factory. She continues to be Max until she doesn't even know who she is anymore.

Shortly before the WW II, Ella Gericke takes on the identity of her husband Max after his death to work instead of him in the factory. She continues to be Max until she herself doesn't even know who she is anymore. The story is told from her point of view as an old woman.—Ulf Kjell Gür