Josef Nadj, defined by the fantastic and absurd universe of Alfred Jarry, intrigues a poetry of correspondences which reveals the circulation of circus techniques, dance, music, place of physical exploits where the unexpected is revealed. Le Cri du Caméléon evokes the idea of metamorphosis and the desire to adapt to different spaces. A universe where all the tricks of the fantastic and all the stratagems of the supernatural are deployed. No kind of fixed identity... which authorizes Josef Nadj and his team, with all the freedoms.—Compagnie Anomalie