Focusing on the removal and subsequent replications of a colossal pre-Hispanic rain deity taken from a small Mexican town to the National Museum of Anthropology in Mexico City, this film explores struggles over heritage and artifacts, contrasting diverse perspectives within the contemporary debate about cultural property and the stewardship of the past.—Anonymous

In 1964, a colossal pre-Hispanic monolith was taken from the small town of San Miguel Coatlinchan, in the state of Mexico, to the National Museum of Anthropology in Mexico City. Since then, the absence of the monolith is present in its place of origin, and also in countless reproductions and replicas. This event led to an exploration of the conflict surrounding heritage and history through the artifacts of the past, and gave rise to an international debate about cultural property and the legitimate custodians of the past.—Anonymous

In 1964, the largest carved stone of the Americas was moved from the town of San Miguel Cuatlinchan in the municipality of Texcoco to the National Anthropology Museum in Mexico City in an impressive feat of engineering. The extraction of the monolith, which represents the pre-Hispanic water deity, set off a rebellion in the town and led to the intervention of the army. Today, the enormous stone, now upright, is an urban monument; it has been transformed into one of the principal icons of Mexican national identity. The inhabitants of Coatlinchan insist that the removal of the stone has caused droughts. Representations and replicas of the absent stone appear everywhere in Coatlinchan, where it resonates in the memories of the inhabitants. Using animations, archival materials and contemporary encounters with the protagonists of the transport of the stone, this documentary explores the relevance of the ruins of the past in the present day.—Anonymous