An actress of political torture movies made by her husband has to finish his latest film and arrange a screening for distributors while the husband, who is also secretly an anarchist revolutionary, is away for some resistance operation.

Hamdias, a producer, has just started a movie whose main theme is torture. But filming is soon interrupted first because of a lack of capital but mainly because Hamdias is killed in tragic circumstances. After a while, Gaila, his friend and also the main actress of his film, sets about continuing his work...—Guy Bellinger