Returning to Hollywood 1951 after working in France, a movie director meets McCarthyism head-on.

David Merrill (Robert De Niro), a fictitious 1950s Hollywood Director, returns from filming abroad in France to find that his loyalty has been called into question by the House Committee on Un-American Activities, and he is unable to work until cleared. Before being called, his highest priority had been his work to the extent of leaving his wife (Annette Bening) and son (Luke Edwards) alone for several months at a time. He initially refuses to implicate others or himself in a private meeting with Roy Cohn and a studio lawyer. This decision initially to stick to his principles first leaves him unable to work in his profession, even with films and producers he never would have worked with before. Harassment by the F.B.I. leaves him unable to work on Broadway, with advertising agencies, or even in a small film repair shop. Finally, having fallen so far, and tempted with a new offer to direct a film from his old studio (if he testifies), he agrees to go before the Committee, initially planning to name his friends. But when confronted with the cruel and tyrannical behavior of the House Committee on Un-American Activities, he realizes that there is a higher priority in his life. There is standing up for what is right, and in doing so, he inspires friends and family to do the same.—Mike Harris <[email protected]>

David Merrill, a successful director, has spent the last couple of years working on movies overseas. He returns right in the middle of the McCarthy era Communist witch-hunt that was sweeping through Hollywood. When first approached by the 'inquisitors' he rebuffs them, not realizing how much influence they have. He soon finds that he can't get work, having been blacklisted for failing to cooperate. However, if he will just tell them what they want to know, he can go back to work.—Brian W Martz <[email protected]>