It is a satire about life in Cuba. The members of a funeral procession and some truck drivers who need to take the same route begin to talk about God and the world and they end up discovering that life for both groups has many similarities and many differences, depending on the point of view.—Volker Boehm

When Aunt Yoyita dies during a visit to Gina in Guantánamo, Gina, along with Yoyita's childhood sweetheart, the aging Cándido, must take the body to Havana. To their annoyance, Gina's overbearing husband Adolfo, a punctilious undertaker with political ambitions, takes charge of the journey. On the road they keep crossing paths with Mariano, a trucker who's a playboy with a woman at every way-station. He and Gina recognize each other: he was her student and wrote her of how much he loved her, then dropped out of school in embarrassment. Before they reach Havana, Gina realizes she can choose between Adolfo and Mariano: does Aunt Yoyita's life help Gina decide?—<[email protected]>