Summaries

A story of destinies joined by Guatemala's past, and how a documentary film intertwined with a nation's turbulent history emerges as an active player in the present.

In a startling loop of time and memory, Granito shows how a Filmmaker's first documentary has been instrumental to indict Guatemalan ex-dictator Ríos Montt. In January 2012, after 30 years of legal impunity, former Guatemalan general and dictator Efraín Ríos Montt was indicted by a Guatemalan court for crimes against humanity. Decades after the events, he was charged with committing genocide against the country's poor, Mayan people in the 1980s becoming the first former head of state to be tried in his own country for genocide. "Granito: How to Nail a Dictator" reveals the thirty year struggle to bring Guatemala's ex-dictator Ríos Montt to justice for genocide against the Mayan population. Part political thriller, part memoir, Yates transports us back in time through a riveting, haunting tale of genocide and returns to the present with a cast of characters joined by destiny and the quest to bring a malevolent dictator to justice. As if a watchful Maya god were weaving back together threads of a story unraveled by the passage of time, forgotten by most, our characters become integral to the overarching narrative of wrongs done and justice sought that they have pieced together, each adding their granito, their tiny grain of sand, to the epic tale.—pacony

Details

Keywords
  • native american
  • latino
  • hispanic
  • human rights
  • third world
Genres
  • Crime
  • History
  • War
  • Documentary
Release date Jan 24, 2011
Motion Picture Rating (MPA) Not Rated
Countries of origin United States Spain Guatemala
Official sites Official site
Language English Spanish
Production companies Skylight Pictures

Box office

Gross US & Canada $43942
Opening weekend US & Canada $4330
Gross worldwide $43942

Tech specs

Runtime 1h 43m
Color Color
Sound mix Stereo
Aspect ratio

Synopsis

GRANITO is a story of destinies joined by Guatemalas past, and how a documentary film intertwined with a nations turbulent history emerges as an active player in the present. In GRANITO our characters sift for clues buried in archives of mind and place and historical memory, seeking to uncover a narrative that could unlock the past and settle matters of life and death in the present. Each of the five main characters whose destinies collide in GRANITO are connected by the Guatemala of 1982, then engulfed in a war where a genocidal scorched earth campaign by the military exterminated nearly 200,000 Maya people. Now, as if a watchful Maya god were weaving back together threads of a story unraveled by the passage of time, forgotten by most, our characters become integral to the overarching narrative of wrongs done and justice sought that they have pieced together, each adding their granito, their tiny grain of sand, to the epic tale.

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