Many families filmed their everyday lives in Argentina between 1940 and 1980. This movie was made with fragments of the footage, particularly those filmed by Pinco, Smulovitz and Beder Families. These films, as many others, cherish intimate moments of happiness and celebration, but here they also become time machines, nostalgic fictions born in everyday life.

Three families remember their stories watching their family movies. A son evokes with his mother the recorded moments of his own life. A marriage argues for fidelity to a more and more blurred past. Two brothers remember how their father filmed them, building almost a fiction of their own daily life. When a family history, a personal memory becomes part of the collective memory? How is an experience transmitted? What emotions generate these archives of past times, even when they are not their own? This film was made entirely with familiar film material.