One man. One camera. One 220 sq.ft. apartment. ONE WAR.
Meticulously adapted from David Morrell's novel First Blood, which introduced the world to a young man named Rambo and his one-man war against a small town and its sheriff, Flooding with Love for The Kid is in itself a one-man cinematic war. Shot entirely for 96 dollars in a 220 square foot studio apartment in Manhattan, it was adapted, directed, filmed, acted, designed, and edited by one man. Actor and filmmaker Zachary Oberzan, performing all two dozen characters himself, has created a monumental testament to the animal ingenuity and triumphant spirit of the lone artist with no money, no resources, no nothing. A wild, violent, compassionate ride through the back hills and caves of Kentucky, this film and its maker embrace their extreme limitations, and in doing so, ultimately transcend them. As Rambo and Sheriff Teasle hunt each other in the woods, the audience is forced to redefine the very nature of suspension of disbelief. How and why this story is told is a statement far larger than any story itself. This film asks the questions, What do you need to make a good film? How much money, how many actors, how much space? Can you make a great narrative film with nothing but your love of the work? Completely transgressive yet action-packed and heart-breaking, Flooding with Love for The Kid destroys all previous notions of low-budget filmmaking with a determination lifted from Rambo's own infuriated rampage.
Meticulously adapted from David Morrell's novel FIRST BLOOD, which introduced the world to a young man named Rambo and his one-man war against a small town and its sheriff, FLOODING WITH LOVE FOR THE KID is in itself a one-man cinematic war. Never intended for public viewing but rather created strictly on the maker's terms, it was shot entirely for $96 in a 220 square foot studio apartment in Manhattan. The film was adapted, directed, filmed, acted, designed, and edited by one man. Actor and filmmaker Zachary Oberzan, performing all two dozen characters himself, has created a monumental testament to the animal ingenuity and triumphant spirit of the lone artist with no money, no resources, no nothing. A wild, violent, compassionate ride through the back hills and caves of Kentucky, this film and its maker embrace their extreme limitations, and in doing so, ultimately transcend them. As Rambo and Sheriff Teasle hunt each other in the woods, the audience is forced to redefine the very nature of "suspension of disbelief." How and why this story is told is a statement far larger than any story itself. This film asks the questions, "What do you need to make a good film? How much money, how many actors, how much space? Can you make a great narrative film with nothing but your love of the work?" Completely transgressive yet action-packed and heart-breaking, FLOODING WITH LOVE FOR THE KID destroys all previous notions of low-budget filmmaking with a determination lifted from Rambo's own infuriated rampage.
