The fantastic components allow Solovev to create displaced references between the cinematic narrative and the historical chaos during the last year of the Soviet empire.

Mysterious organization begins to exert pressure on academician Bashkirtsev: at full speed punctured the wheel of the car, then the corpse on the site thrown. Bashkirtsev hires bodyguard in order to protect himself and his family from a possible assassination attempt, and then faces the most real evil forces in the person of some Valentin Komposterov, who has supernatural powers.—Peter-Patrick76 ([email protected])