As an aging playwright interacts with the young lead in his play after everybody's gone home, he reminisces about her mother, whom he maintained a sexual relationship with before she died.

At the stage of his play, aging playwright Henrik is visited by Anna, the young lead, after everybody's gone home. As they interact, Henrik reminisces about and compares Anna to her mother, whom he maintained a sexual relationship with before she died.—Julián Bufarull

Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She is the lead in his new production of Stindberg's "A Dream Play." She talks of her hatred for her mother, now dead, an alcoholic actress, who was Vogler's star and lover. Vogler falls into a reverie, remembering a day Anna's mother, Rakel, late in life, came after rehearsal to beg him to come to her apartment. He awakes and Anna reveals the reason she has returned: she jolts him into an emotional response, rare for him, and the feelings of a young woman and an older man play out.—<[email protected]>