Tehran, Iran, 2010 In the beginning was the desire that something should disappear, sink into the ground leaving us with the feeling that what is invisible is still there. Then there was the return to Tehran, the confrontation with limits, not being able to act but only react. The shoot out there imposed limits, and I did not want to try to get round them, to do as if, to put up with it. I wanted the limits to be visible.—Anonymous