Winner Take All

A young woman's quest for independence clashes with her traditional family's expectations. As she becomes a mother herself, she confronts deep-rooted societal prejudices that threaten her autonomy.

An Object can be a powerful subject. Or moments are remembered in the life beyond. Or a cinema without a story and can still be an all time epic to remember. The man, who chiseled out these ideas, lived the realms of black and white but painted life of colors throughout his cinematic canvas. That's Ritwik Kumar Ghatak, a filmmaker, born ahead of time for the content he created. His cinema brought forward the irony of life, while he himself remained behind the scenes. Being theatrical he partitioned himself from the regular form of achievements and pickup the medium of cinema to reach mass people with his ways of portraying sorrows to bring epic sense of life and its continuity. He could neither become a caring husband, nor an optimum father but left behind a number of stalwarts of Indian cinema. "Alokkhe Ritwik" is an effort to remember how Ritwik Ghatak contributed towards the new wave cinema of Indian Continent and world still being unnoticed with his brilliance.

Joanna's obsessive fantasy of a perfect life with Leo crumbles, leading to dire consequences. Her delusions of domestic harmony and eternal love are abruptly confronted by harsh reality, forcing her to face the truth of their relationship.

Mann Mast Malang is a love story that traces the journey of two families who, once close and united by their children's engagement, become sworn enemies due to a single incident. As the story unfolds, Kabeer and Riya, former fiancés turned enemies, start to grow closer and eventually fall in love. Their love story faces the challenge of uniting their feuding families, as they strive to make their love successful against all odds.