We Don't Live Here Anymore

Three up-and-coming horror directors come together to tackle the roots of the "Riaru Onigokko" world.

Smart and purposeful Marina becomes a victim of betrayal - her beloved Andrey appropriated her project and received a multimillion-dollar grant for its implementation, and her boss simply fired her. "Licking wounds" Marina went to her father in the small seaside village of her childhood, where he is developing a small winery.

Mrs. Zabel is told, that her two year old son Walter is different, "somehow sick" - he suffers from the Down syndrome. The diagnosis was a shock to her, but it was harder to see, how their fellow beings are treating Walter from then on and what the society expects her to do.

This web series is made up of several stories that have as a common thread the story of Sergio, who as a child listens to the oral stories of his father Víctor and when he grows up expresses the same narrative vocation by becoming a writer but working to live as a journalist on the triple frontier Argentina, Paraguay and Brazil. Each chapter tells a particular story that sometimes borders on magical realism and other times they are everyday events where the beauty of simplicity is enhanced. These stories, which were told to Sergio, are narrated or lived in some way by him or it is some news that he has to cover. Throughout the series the figure of the writer-journalist is present, the inspiration and a common in the red earth that are the stories told by word of mouth and the desire of a writer to make them eternal on paper. It is divided into chapters intertwined by the experience or narrative of the writer, which connects one story with the next developed in 4 chapters, plus a prelude, interlude and an epilogue. Intense characters give life and star in each chapter, in which we will see stories of: a lineman who feeds on birds, Gauchito Gil and a rural laborer who despairs because of the absence of his dog, a journalist looking for time to write stories of love and questions about freedom, family comedy dramas, funerals, an urú, drunkards and more birds, canteen conversations and work in the yerbal - All of them immersed in the events of their daily lives on the stage of the red earth.

Tinik sa Dibdib unveils the plight of Lorna who works to support her family. Her father Tiburcio is a drunkard and a womanizer, while her mother Candida is sick and weak-willed. To avoid her problems at home, Lorna leaves and becomes a stay-in helper in a beauty parlor. It is there that she meets Lando, a security guard who falls in love with her. Lorna believes that her marriage will be the key to the happiness and freedom she's been longing for. Little does she know that her marriage with Lando will only be the beginning of the most excruciating days of her life. She discovers, while living with Lando, that life with his family is more agonizing than living with her own family. From the day she first sets foot in Lando's house, she falls in bad terms with his stepmother Trixie, while Trixie's sister Moret keeps trying to get her to leave them. Lorna soon understands Moret's reason for wanting her to leave, and a dark secret will destroy the marriage she considers as her only source of happiness. But by this time, will it be too late for Lorna to leave? Will she still find love and happiness that she really needs?