Waiter!

Pappy, the manager of the Farmdale orphanage, appropriates five thousand dollars of the taxpayers' money to enroll his charges in a 4-H project that could make the orphanage self-sufficient. This infuriates Hiram Crabtree and Sam Spitz, who profit from selling supplies to the orphanage and therefore have no desire to see it become self-sufficient. Consequently, Crabtree and Spitz charge Pappy with misappropriation of funds and demand that he repay the money immediately. Just when things look bad for Pappy, he learns that he has inherited a nightclub and goes to the city to investigate. There he finds that the club is insolvent and that the performers are demanding their salaries. Pappy suggests that they come to Farmdale to work for their wages, and when the performers learn of the plight of the orphanage, they offer to stage a show to recoup the shortage in funds. Crabtree and Spitz, still trying to retain control of the orphanage, invoke a fire ordinance to prevent the show from being staged in a barn. To invalidate the ordinance, the orphans set fire to a haystack, and as the fire engines speed toward the fire, the youngsters chop down the bridge, stranding the trucks at the barn. The presence of the fire trucks offsets the fire hazard, and the show goes on. After Mrs. Uppington, a local dowager, exposes the motives of Spitz and Crabtree, the orphans continue to work on their 4-H project with the promise that they will be self-sufficient by the fall.

The first film about the Chicago Cubs world series win and the people who lived through it. A transformative unconventional story blending coming-of-age cinema verite in a deep personal tale of weightloss struggles and love. Based on the true relationships of Chicago natives in the two years leading up to the historic world series win.

A young poet from a bourgeois family tries to formalize his life with a beautiful aristocrat, but she rejects him. His encounters with several women transforms his concept of love.

Fogi is enjoying his never ending puberty. But simultaneously Fogi is also trying to live up to his family duties and bring up Véna, his son from the first marriage. He did not get married again but lives with Jana, a post office employee. Together they have little Anicka and they all live in a flat in a small town. At first, Jana is trying to tolerate Fogi's moods, but her patience is running out. Fogi loses his job. On top of that he starts to see himself in his adolescent son and realizes with horror that Véna repeats his own mistakes. The first fights, bans and mutual misunderstandings are approaching.

One fine morning, Benno finds sand in his bed. While he tries to ignore this at first, he soon must realize that he himself is loosing the sand. Day after day the sand increases and soon his time literally starts running short. Finally he is left no choice but to ask Sandra for help, who runs a small coffee shop under his apartment. Although Benno hates her with a passion, he started having dreams of her every night. What could Sandra and the dreams have to do with the sand?