Toora Rickshaw Wala

When the United States enters World War I, widow worries that she will lose her only son David, who has just turned 21. Although David patriotically urges the employees at his factory to enlist, he reluctantly gives in to his mother's pleas to remain at home with her. When David is drafted, his panic-stricken mother alters the date on his birth certificate, although the later birth date implies that he is illegitimate. Disgusted, David enlists under an assumed name, thus shaming Helen, who confesses her dishonesty to the townspeople. Her son, now in uniform, then forgives her.

In a post-apocalyptical world, a reporter (called Seb), wishes to make his life's journey, a documentary of life as a refugee. Dressed up as a refugee, he shall follow other refugees through the landscapes before reaching the big city of Sarn. He has small mini-cameras attached to himself, and when he finds the perfect "victim" of his journey and documentary, then he shall attach a camera to that person so that all may see his point of view. / He finds a lonely boy (called Sonny) and decides to make him the star of his journey, without the boy knowing anything. Together, they walk through the landscape of destruction and warzones. They get picked up by a merchandiser that lets them work at his place for safety and guidance. Eventually, they get separated from each other and the reporter returns to the city, yet following the boy that is alone in a foreign world now, struggling to survive. And the reporter knows the fact that his documentary may be the best one ever.

Two friends make a sacred pact pledging their newborn children, Rachel and Jacob, in marriage. Based on the same legend as S. Ansky's classic play The Dybbuk, this spirited film offers the divine intervention of Elijah.