The Way We Were

Summary During post-WWII McCarthyism, a diametrically opposed couple come together only to find out that genuine friendship and physical attraction is not enough to overcome fundamental societal beliefs. View more details

The Way We Were

Directed : Sydney Pollack

Written : Francis Ford Coppola Paddy Chayefsky Arthur Laurents

Stars : Robert Redford Bradford Dillman Lois Chiles Barbra Streisand

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Details

Genres : Drama Romance

Release date : Oct 18, 1973

Countries of origin : United States

Language : English French

Filming locations : Union College, Schenectady, New York, USA

Production companies : Columbia Pictures Tom Ward Enterprises Rastar Productions

Summary During post-WWII McCarthyism, a diametrically opposed couple come together only to find out that genuine friendship and physical attraction is not enough to overcome fundamental societal beliefs. View more details

Details

Genres : Drama Romance

Release date : Oct 18, 1973

Countries of origin : United States

Language : English French

Filming locations : Union College, Schenectady, New York, USA

Production companies : Columbia Pictures Tom Ward Enterprises Rastar Productions

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So Close to Home

So Close to Home

Maggie, a professional women in her 30s, is in the sleeping compartment of an overnight train to Sydney. Maggie is a workaholic who drowns her loneliness in a busy world. Unable to relax, she pulls out her laptop. But on this night, Maggie's lifestyle of extreme order and isolation is disrupted when a 14-year-old Albanian girl silently demands her seat and Maggie is forced to travel backwards. The next morning as Maggie anxiously prepares to meet her estranged mother, Ramona, she is disturbed to realize that the girl, Azra, is following her. To Ramona's incredulity, Maggie invites the stranger home and there Azra begins to reveal a deep secret. Ramona's world of quiet suburbia, where novelty letterboxes front the neat yards, is an unlikely scene for a clash of language, culture and family turmoil. But as Azra reveals she is a refugee from Kosovo, the fragile walls of suburban familiarity begin to crack. Her family shattered by war, all Azra has to hold on to is a hand-made postcard of the Opera House, which her mother sent from a detention center in Australia. Azra's past is glimpsed in a nightmarish memory, which is echoed by the childhood experience that Ramona later relays to her own daughter. These fragments within the story add a personally poetic layer to the underlying politics of exile and belonging. Both emotionally troubled, Maggie and Ramona struggle to deal with the stranger. Ramona is highly critical of Maggie, who in turn resents her mother's overbearing ways. Their relationship is turned on its head, when Azra'search leads to a surprising and ultimately moving discovery. In the current climate, where the issue of asylum seekers has polarized opinion, So Close To Home is a remarkable depiction of the ironies and challenges involved in the idea of strangers. What begins as a story of boundaries is soon transformed into an exploration of the bonds of family and in particular, motherhood.

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