The Way Home

A kind-hearted, widowed landlord, Thakur, lives a wealthy lifestyle with his son, Ramesh; daughter, Roopa; and an adopted child, Shankar. Ramesh hates Shankar and often abuses him. Years pass by, Thakur has passed away, and all three children have grown up. While Ramesh visits a stunningly attractive Courtesan, Tara, drinks alcohol, and continues to abuse and mercilessly beat Shankar, who bears this in silence as he and Roopa are in love with each other. When Ramesh finds out that Roopa wants to wed Shankar, he has him severely beaten and thrown off a cliff. He then arranges Roopa's marriage with another wealthy man, Satish, while he continues to romance Tara and even signs over his entire estate and home to her name. Then a few years later, Shankar returns - this time as the wealthy Raja of Belapur - and he all set to compromise with Ramesh and propose to Roopa. He finds out that nothing has changed, Ramesh, though rendered penniless by Tara, still hates him; and Satish is wooing Roopa, is engaged to her and a marriage date has been fixed. Shankar's love is now replaced by vengeance and hate, and all he can think of is destroying the lives of Ramesh, Roopa, Satish and his sister, Mala, and he has several plans which he intends to put to use one by one.

Defending a teen charged with patricide drudges up dark memories for a lawyer.

The action takes place at the turn of the 19th Century. Adolphe (Stanislas Merhar) is a carefree, somewhat jaded 22-year-old, scion of a preeminent aristocratic family, with a very promising political career ahead of him. To Adolphe, love means conquest, and since he is bored, love is a good pastime. At a soirée given by the Count (Jean Yanne) in his sumptuous castle, Adolphe sets his eyes on the beautiful Ellénore (Isabelle Adjani), a young widow, ten years his elder, mother of two children. She also happens to be the Count's mistress. Adolphe falls in love with Ellénore, for lack of a better thing to do. At first, Ellénore resists Adolphe's feverish advances. He insists, becoming an overwhelming presence (and nuisance) in Ellénore's life. Eventually, she surrenders. Soon after, the novelty of this adventure wearing out, Adolphe tries to liberate himself from his new lover, who has become a burden in his life, an obstacle to his freedom. However, he cannot bring himself to altogether sever his relationship with Ellénore, as the idea of making her suffer is to him unbearable. Ellénore loses everything as she tries desperately to "hang onto" her lover: her children, the Count's protection, her status in society. For his part, Adolphe's life is in limbo, as he is unable to break once and for all with his now dying love affair. He offends his father, who demands his return to a more conventional life, and he abhors his own indecisiveness, his inability to end his love affair and regain his freedom. What follows is the fallout of an obsessive relationship: unbearable guilt, accusations, and poison letters of recriminations between the two parties. Eventually this emotional charade ends up in death and misery.

Prepare to experience an alternative take on attraction. Boys On Film explores the darker side of romance with a collection of edgy, controversial and sexy short films that have wowed film festival audiences the world over.

During the early 1900s, a runaway Missouri orphan reaches a town where the townsfolk are enchanted with him and where a wealthy rancher and a local newspaperman compete to give him an education.