The Story Man

This is a story of isolation and hope, of a writer in exile. The writer is banished for her attack on religious fundamentalism and patriarchy and her cat is suddenly left alone.

The life and death of famous Korean singer, Yun Sim-deok in the 1920s.

Ivan Megharoopan is conceived as the eventful life journey of poet laureate K.P. Madhavan Nair, a character drawn from the life story of the great Malayalam poet P. Kunhiraman Nair.

An funny, witty and bright biopic by the master of italian comedy Mario Monicelli about the famed italian composer Gioacchino Rossini, here portrayed in a wonderful way by famed actor and later director Sergio Castellitto.

The Last Song paints a poignant portrait of an Aboriginal Elder in the Pilbara, North Western Australia, Stephen Stewart known as Number 2 life unfolds like a living chronicle of the region's history. This centenarian, a revered cultural singer and lore keeper, has seamlessly traversed the pages of time. Number 2's journey is a rich tapestry woven with experiences as a stockman, a champion jockey and a soldier. His journey encapsulates the very essence of Australia's past. This cinematic narrative encapsulates pivotal moments in Australian history, including the haunting era of the stolen generation, the 1946 Indigenous Strike and World War 2. Despite his profound impact on the Pilbara community, he remains relatively unknown beyond the region. The film explores Number 2's dedication to preserving his cultural heritage, emphasising the importance of his role as a guardian of tradition. Through breathtaking cinematography and Number 2's soul-stirring songs resonating across the ancient land, The Last Song becomes a compelling ode to resilience, cultural preservation, and the urgency of documenting stories that risk fading away. The film promises an intimate and evocative portrayal of a life deeply intertwined with the untamed beauty and rich history of North Western Australia.

A look at Alfred Hitchcock's films. The Master of Suspense himself, who is interviewed extensively here, shares stories including his deep-seated fear of policemen, elaborates on the difference between shock and suspense, defines the meaning of "MacGuffin," and discusses his use of storyboarding in designing a film. Clips from many of his greatest films (including "North by Northwest", "Shadow of a Doubt", "The Birds", and the legendary shower scene from "Psycho") illustrate his points, often to Hitchcock's own voice-over observations, with narrator Cliff Robertson offering other critical insights.