The Staffroom

The film is set in Tokyo during the Olympics amid the COVID-19 pandemic. Tired of rushing through life, young people gather at a small guesthouse in Tokyo, where they explore their own paths and grow through new relationships and experiences. The youthful ensemble drama is centred around the theme of "break" and depicts the modest growth of young people.

Oded, a renowned professor and scientific researcher, is on his way to receiveing a prestigious award, accompanied by his wife Merav. A call comes in from the police, asking him to stop by to answer a few questions. In an instant, their world crumbles. Noa, an under graduate student of his, has placed charges of sexual coercion. After a confrontation with Noa he denies any romantic liaisons. He is forced to confess lying about their affair after being presented with evidence and advised by the family's attorney. This results in a harsh reckoning with his wife Merav at the police station. The media gets wind of the story and the resulting shaming in the social networks hits hard, and alerts their youngest son, who demands explanations. Noa's life is not left unscathed, having to confront both her mother, who demands she'll cover up the whole thing, and Merav who pressures her into putting a stop to this disaster. The film takes place in a single day, where the family's life comes apart. Merav maneuvers between her anger at Oded, who she blames of ignoring her their entire relationship, and the need to protect her family. She stands by Oded, knowing their lives will never be the same again.

A blend of stories in this anthology includes "What's in a Name" by Arhaan Jamal, "Gulabi Aasman" by Dr. Humayun Kabir, "Kathakaar" by Anshuman Chaturvedii, "Lachit the Warrior" by Partha Sarathi Mahanta and "Lajja the Shame" by Mohan Das.

Shirak's village is under the attack of the wild boars and he has lost his father in one of their attacks. To help his village he buys a dog from the Gypsies in return of some dates. He trained his dog and become ready to one night face the fierce attack of the wild boars on their crops. On that night with the help of his dog he manages to defeat their attack and save the crops.

A desperate fisherman and a naive young man embark on a dangerous journey trafficking drugs up the Pacific coast of Colombia. Hidden beneath the waves, they tow a narco-torpedo filled with millions of dollars worth of cocaine. Together they must brave the war-torn region while navigating the growing tension between them.

An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.