The Monday Night Special

January 2010, Rosarno, Calabria. Widely publicized immigrant riots exposed the unjust and squalid conditions that thousands of African laborers, exploited by an economy controlled by 'Ndrangheta, the calabrian mafia, endure on a daily basis. For a brief moment the immigrants caught the attention of the Italian public, who responded to these protests with fear and violence. In a few hours the immigrants in question were "evacuated" from Rosarno and the problem was "resolved." But the faces and the stories of those involved in the riots at Rosarno tell a different story. Revealing these stories and giving them voice is the only way we can return to these memories: memories of those days of violence, memories of a not-so-distant history of rural poverty in Rosarno that is often overlooked.

Haiti, Another Struggle revisits Haiti nine months after the 7.0 earthquake that destroyed Port Au Prince. James Pierre, a journalist and filmmaker, brings us images and interviews from tent cities propped up throughout Port Au Prince. Emotional conversations with journalists, law enforcement officers, businessmen and members of the Diaspora tell the story of a Haiti that was and one that will be. Most importantly, Haiti, Another Struggle is a portrait of a country whose people fight every day to find hope in the desperate situation in which they live.

All in, life included. You can never come back from poker.You can quit playing, but you will always be a poker player.

Miw is the last elephant shaman in Thailand. He is 85 years old and a member of the Kui minority, the most skilled elephant handlers in the region. They once caught and trained wild elephants in the forest. That all ended in the 1960s. In 2011, when villagers threatened to kill a marauding elephant, Miw was asked by the Thai government to help them one final time. This is the story of his last chance to pass on his knowledge to the next generation and what happened to the elephant they encountered.

Five black artists in Oklahoma interview each other. What exactly is African American art?

A windswept stretch of creek side, echoing to marsh birds' calls and the thud of shipwrights' hammers, Standard Quay is straight from Charles Dickens. To the right eyes, this scruffy working wharf is a vision of living history. Skilled craftsmen have built and repaired wooden ships here for centuries and in recent years the quay has become a haven for the few dozen surviving Thames sailing barges. But Standard Quay's property developer owner plans to build houses and restaurants on the site. This is the story of its final year as a working shipyard.