The Final Lap

Eight World War II artists/veterans recount their service experience and their use of art for journalism, as a tactical tool and to preserve their own sanity.

Portrait of a Syrian farmer, the filmmaker's cousin who, in spite of the war, tries to live his daily life.

Kerry Armstrong narrates this uplifting documentary that focuses on the resurgence of traditional Khmer music and dance through the dedication of three remarkable, Royal Palace-trained teachers. Filmed in Cambodia with the participation of Geraldine Cox and the orphans of the Sunrise Children's Villages, the documentary features a traditional music and dance performance by these talented children inside the National Museum of Cambodia, home to some of the most exquisite Khmer artworks. A sequence filmed with the children inside the temple-city of Angkor Wat highlights the extraordinary legacy of Khmer culture to the world of art. Through the reminiscences of Sunrise Village's inspirational teachers, Sunrise Over Angkor paints a succinct picture of Cambodia's disruptive past; and, through the eyes of Geraldine's amazing children, conveys an understanding of their hopes for a brighter future.

In 2015, Ossamah Al Mohsen and his 8-year-old son were tripped up by a TV reporter on the Hungarian border. The moment was captured on film and it soon became one of the most iconic images of the Syrian conflict. This incident helped Ossamah get a job as a football coach when he reached Madrid. But the rest of his family is still stuck in Turkey. Ossamah lives far away from his wife and other three children, and the chances of them obtaining a visa are fading away. Thousands of other families are in a similar position. What of their dreams and life ambitions? HAYATI (my life) is the story of Ossamah and his son Zeid. It is also the story of Moatassam, Youssef and Muhannad: three promising Syrian football players whose best years have been darkened by the shadow of war.

In 1916, during the First World War, the small Lorraine town of Verdun became a symbol of the futility of war.

An examination of the how television news in the US has covered war from Vietnam to the present day.